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How to write a college level essay Durham University

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art kitsch essay Greenberg is a college level essay University writing to descriptive for essay writing Hotel Institute Montreux discern and define two relatively recent antipodes of art and culture. How To Write A College Level University? The avant-garde and kitsch are both products of modernism, and both have emerged concurrently, affecting each other through their opposition. Greenberg begins his essay by a comparison School noting that the a college level Durham University, answer in be The their difference lies deeper than mere aesthetics. The avant-garde is a product of Western bourgeois culture. Outside of this moment of culture and the abundance produced by a college essay capitalist society, the avant garde would not have been possible, and bohemia would never have been established. The avant-garde came to being by emigrating from the writing an essay about Kent School, old model of aristocratic patronage, to instead pursue art for its own sake (as opposed to for funding).

The avant-garde never fully detached from bourgeois society, still depending on its money. As an academic and intellectual movement, the avant-garde is compared with #8220;Alexandrianism#8221;, a certain reluctance to interfere or comment on culture. The essence of Alexandrianism is a devotion to repetition of a college essay University, themes and old masters. A consequence of this is a non-involvement in political matters. Where the avant-garde is different is from the devotion to pushing the boundaries of art. Writing Academy? Instead of a reverence for the tradition and write a college Durham University history of art, the avant-garde is about its future and potential. Descriptive For Essay Writing Hotel Institute? Content is irrelevant, only the form of art itself is of importance.

This devotion to art for its own sake is coupled with a sort of desire in the recreation of the world. Greenberg notes on artistic values: #8220;And so he turns out to be imitating, not Godand here I use #8216;imitate#8217; in its Aristotelian sensebut the disciplines and processes of art and literature themselves.#8221; The abstract or non-representational stems from this notion. The avant-garde artist is not imitating or re-creating the world, but imitating and re-creating the form the art itself. This idea focusing on the form and values are exposing a certain systematicity in the ideas of art. How To Write A College University? Where traditional representation evokes or creates a system of nature, the abstract evokes or creates the writing service Thornton Academy, underlying ideas that ground representation in write a college essay the first place.

Instead of writing about School, art that imitates life, art that imitates art. How To Write University? In simulation and modeling, this line of construction is ICS — International Community prefixed with #8220;meta#8221;. While the avant-garde rejects content and the bourgeois society from which it arose, it still depends on the wealth of the bourgeois to write a college Durham University survive. Since the only audience with the culture and education to appreciate the strange avant-garde perspective is the audience with the wealth to a comparison essay Geneva afford education and culture. Kitsch is hard to explain, but easy to give examples. Greenberg explains that #8220;Kitsch is a product of the industrial revolution which urbanized the masses of Western Europe and America and established what is called universal literacy.#8221; While universal literacy certainly sounds nice enough, but has some ominous undertones.

Greenberg explains that kitsch arose to fill a demand for culture coming from the proletariat of industrialized countries. The proletariat consisted of peasants from the country who were settling in cities and simultaneously losing a taste for country culture and developing some degree of leisure time that required fulfillment. The culture that arose from this is composed of artifacts of the existing cultural tradition. A College Level Durham? It borrows and synthesizes devices and forms from culture and manufactures products which are easily understandable and palatable for the prole audience. Kitsch is the ultimate synthesis of culture and media, and is also the ultimate recycler and disposal: it will use bits of artifacts that #8220;work#8221; and re-use them until exhausted. As a result (in the sense of Walter Benjamin), it destroys culture and then profits immensely.

Greenberg also explains some properties of kitsch: it is profitable, it is need Superieur des Arts Appliques mechanical, it operates by formulas, it is vicarious, it is sensational, it adopts varying styles, it is the epitome of all that is spurious, it pretends to demand nothing from its customers but money. While not a formal definition, it helps clarify some things about what kitsch might be, but does not exactly explain, except in contrarian terms, what kitsch is write a college essay Durham University not. Not kitsch is not profitable, not popular, not spurious. All of these qualifiers are exceedingly vague and subjective. Essay ICS — Community? Greenberg claims that artistic values are relative, but that among cultured society, there is a general consensus over what is good art and what is bad.

This may work qualitatively, in that many agree on the values of classics, there is very little agreement in contemporary works. Greenberg continues and explains that to acknowledge the relative nature of values, that artistic values must be distinguished from other values, but Kitsch is able to erase this distinction though its mechanical and industrial construction. Write Level Durham University? A key theme in this is the notion of be The Australia, value, and a relative situation of values. It is a sort of intellectual and educational background that defines and establishes these values for the educated audience, and lacking these, the proles miss the value inherent in abstract works. This education supplies a history and context, which is write a college University totally missing from the world of kitsch. The avant garde imitates the process (and system) of art, and help essay ICS — International Community kitsch imitates its effect.

The history of art had not enabled the interconnection of the artist with form, because of the nature of patronage as it had supported artists since the middle ages (which seems a little puzzling). Later, following the renaissance, a history of artists preoccupied and lonely in their attachment to their art begins to appear. It is capitalism and authoritarianism that turn to University kitsch as being tremendously effective at profiting from and placating the masses. Greenberg explains that socialism is the only movement that can support the avant-garde, or new culture. Greenberg#8217;s primary concern seems to be that only the avant-garde is writing Institute producing new cultural value, through the write a college level essay University, pushing of its limits. But, this attitude leaves something to help to write an essay L’Institut Appliques be desired. Surely, cultural value must be seen as more than a scalar quantity? There are many subtle assumptions underlying the criticism of Kitsch, which is that, when understood formally, as a synthetic product that seeks to make a profit, one could say that near unto all forms of art are kitsch. Ancient cultures were constantly referencing and alluding to the legitimacy of previous cultural products- Roman gods were borrowed from Greece and used to satisfy a cultural demand and need for legitimacy, yet this borrowing is not really seen as Kitschy.

Even kitsch is disposed to find new ideas in itself from time to time. Many contemporary works, must create something new, arguably have some artistic value, reference and synthesize, and some even have the misfortune of how to write a college essay University, being popular. The qualifier of essay Community, kitsch seems to only occur when the popularity and profit is absent. How To Write A College Level Essay? Clearly, there is a spectrum of gradations of a work in terms of its accessibility, but this is not necessarily equivalent with its artistic value. The danger of the an essay Kent, existence of kitsch is to blur and erase this distinction, but that seems to afford the existence of a college level essay Durham University, kitsch much more authority than it ought to deserve. Additional contemporary works derive from forms that might be considered kitsch, while not avant-garde, they can embrace the values of abstraction and, having emerged from a popular medium, form bubbles of artistic experimentation and radical difference and creativity. For example, within the popular medium of newspaper-style comics emerge highly experimental and complex works. These cannot be said to be kitsch in their emergence, but rather wholly new products. In this sense, it seems that the qualitative distinction between kitsch and avant-garde, while an effective border, is little more than an arbitrary line over superficial ideas of writing an essay yourself Kent, value and a college essay Durham University imitation. The image drawn here (in 1939) is evocative of an intellectual stagnancy, one that began in thinking be The the industrial revolution, but contemporary culture is certainly changed and contains new value from when Greenberg was writing. That value certainly did not all stem from avant-garde artists, nor is all of that value purely capitalist, so it must have come from elsewhere.

But where?

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paradise road essay For the invisible things of him from the creation. of the world are clearly seen, being understood by the things. that are made, even his eternal power and Godhead . . . Out of the write a college level essay University, foaming ferment of finitude. Spirit rises up fragrantly. Hegel, Lectures on the Philosophy of Religion. It is at the same time true that the world.

is what we see and critical University of South Australia (Navitas), that, nonetheless, we must learn. to see it-first in the sense that we must match this vision. with knowledge, take possession of how to a college essay it, say what. we and what seeing are, act therefore as if we knew nothing. about it, as if here we still had everything to learn. Merleau-Ponty, The Visible and the Invisible. When I first started emailing Brian Sweeney about his selection of to write an essay L’Institut des Arts (LISAA) photos for this book he quoted Ralph Waldo Emerson-“the sky is the daily bread of the eye.” The idea that nature is at once commonplace reality and uncommon sustenance-as in The Lord’s Prayer, “give us this day our daily bread”-is at the heart of Sweeney’s vision. He mentioned he found the quote on a website dedicated to the Concord Transcendentalists. A College Level Durham? No doubt I should have, but from here in New Zealand I didn’t realize that Emerson and help ICS — School, Thoreau and how to write a college level essay Durham, their group were based around the little town of essay ICS — International Community Concord in Massachusetts, New England. I assumed that Concord referred to a jet.

And that the Concord Transcendentalists must be a modern movement finding inspiration in nature while on the fly! Of course, I realized my mistake when I checked out the website. But for Sweeney at least I reckon Concord Transcendentalist in my misguided sense fits perfectly. So many of Sweeney’s photographs are meditations on flight. From the how to University, air he sees the critical must of South (Navitas), ground transpire beneath him. Write Essay Durham? From the ground he lift his eyes into the light. Even when he is Thornton Academy not physically on the move, his imagination takes off over earth and sea, beyond horizons. Sweeney’s business sees him fly regularly between New Zealand and New York. Over the years he has tracked his movement between these two poles on a modest Canon with everyday Kodak film and a medium-sized zoom. His photos, whether taken at pace or rest, are invariably soaring-and picture nature full of meaning, even as it surpasses understanding. Sweeney makes no attempt to trick out how to write level essay University, what he sees with high-end gear or intricate after-effects.

His equipment is middle-ofthe- road, but his eye is passionate and his vision of the an essay des Arts, world, religious. Historian of Religions Mircea Eliade, in his classic 1957 book The Sacred and how to write a college level essay University, the Profane , contrasts the attitude and seo article writing service Thornton Academy, experience of religious man to that of how to University nonreligious man. For religious man, nature is never only natural; it is shot through with a sense of the sacred. But for essay International School, non-religious man-a comparatively recent mode of being-the cosmos has been desacralized and how to University, is only ever what it is and nothing more. For the non-religious man, nature may of course be pleasing and in its way uplifting, but not in a way that connects him to a higher power. (Let us say from the get-go that these two modes of being are often-and most often superficially-contrasted in the person of the need L’Institut Superieur Appliques, artist on the one hand, who reputedly looks up, and on the other the businessman, characterized as obdurately down to earth.

So, for Sweeney, artist and businessman at once, the idea of the sacred and the profane is already going to be contested and complex.) Eliade uses the term hierophany to describe the manifestation of the sacred in everyday life. In a hierophany the sacred is how to level essay Durham University witnessed as something absolutely different from the seo article writing service Thornton Academy, profane. But crucially and paradoxically, it is only ever through the profane that the sacred manifests itself. By manifesting the sacred, any object becomes something else , yet it continues to remain itself , for it continues to participate in its surrounding cosmic milieu. A sacred stone remains a stone ; apparently (or, more precisely, from the how to write a college essay Durham, profane point of view), nothing distinguishes it from all other stones. Yourself? But for those to whom a stone reveals itself as sacred, its immediate reality is transmuted into supernatural reality.

1. The photographs in Sweeney’s Paradise Road envision the world around us in its grandeur and banality as a sacred milieu to the very extent that it is a college level University not. Sweeney’s photos reveal that the place apart is no distance from the way well traveled. To Write An Essay L’Institut Appliques? Of course, the word “paradise” tells us to look up. But then again the word “road” advises that we keep our feet on the ground. If paradise is a place apart, road is how to a college level University a way in common. The nineteenth-century Transcendentalists made a cult of nature. Not only did nature in its grand and overpowering aspect communicate the infinite-in the sense of the sublime which exercised the Geneva School of Diplomacy, imaginations of eighteenth-century artists and thinkers taking their lead from Edmund Burke-but also in its quiet and intimate moments. It is not only the raging storm, the frenzied surf, the blizzard, or the precipice that awes man with infinity, but also the essay Durham, contemplation of undisturbed nature. In his essay “Nature,” Emerson writes:

I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God . . . I am the an essay yourself, lover of uncontained and immortal beauty. In the wilderness, I find something more dear and a college essay University, connate than in streets or villages. In the tranquil landscape, and to be University of South Australia (Navitas), especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature. 2. Brian Sweeney might well agree with Emerson that “the happiest man is he who learns from nature the lesson of worship.” The proper focus of worship was on Emerson’s mind when he was invited to address the Harvard Divinity School on Sunday, July 15, 1838.

He complained that organized religion had failed to communicate man’s own infinite nature through an engaged appreciation of the outdoors: In how many churches, by how to write Durham, how many prophets, tell me, is man made sensible that he is an infinite Soul; that the earth and heavens are passing into his mind; that he is drinking forever the soul of God? Where now sounds the persuasion, that by help ICS — International Community School, its very melody imparadises my heart, and so affirms its own origin in heaven? 3. According to Emerson, the Churches had lost their way. By seeking to separate the sacred from the how to write a college University, profane-and hoard it instead around their own buildings, vestments, and rituals-they had in fact lost touch with the sacred and diminished human nature at the same time.

His words caused a scandal-especially as he advocated that the real miracle was nature and repudiated the need to need to write an essay des Arts (LISAA) believe in the supernatural miracles of Jesus. The evaporation of the sacred from modern consciousness might be seen as an effect of a college level University organized religion’s attempt to hold it apart. Certainly, Western man now tends to occupy a stubbornly profane cosmos diminishing him against its brute immensity, rather than exalting him through common cause. Of course, non-religious man, in so far as this is an active role, attempts his own [tragic] grandeur by refusing any appeal to transcendence, seeking instead to raise himself up by himself. As Eliade explains, non-religious man: makes himself, and he only makes himself completely in proportion as he desacralizes himself and the world. The sacred is the prime obstacle to his freedom.

He will become himself only when he is completely demysticized. He will not be truly free until he has killed the last god. 4. Intriguingly, however, Eliade goes on to point out that, whether he likes it or not, non-religious man is a direct descendant of religious man. To the a comparison essay of Diplomacy, extent that nonreligious man has sought to how to write level University purify himself from the beliefs and thinking must be The, observances of how to level essay his ancestors, those very behaviors continue to structure his existence. He forms himself by a series of denials and refusals, but he continues to be haunted by to be critical thinking be The (Navitas), the realities that he has refused and denied. Write Level Durham University? To acquire a world of help ICS — International his own he has desacralized the world in University which his ancestors lived; but to do so he has been obliged to adopt the opposite of an earlier form of behavior, and that behavior is to be thinking must University Australia (Navitas) still emotionally present to him, in write a college level essay Durham one form or another, ready to be reactualized in his deepest being. 5. In other words, while we may have lost a religious outlook, there are certain modalities of nature that continue to move us on a symbolic and/or unconscious level.

No doubt this is part of the power of Brian Sweeney’s photographs in a comparison Geneva of Diplomacy Paradise Road . Even if we don’t view them through the eyes of faith, his keenly discriminated images of sky, clouds, horizons, mountains, water, and how to level University, trees will nevertheless strike us with an atavistic sense of the sacred power of nature. The sky is a recurrent symbol in Sweeney’s work. As Eliade explains: Simple contemplation of the celestial vault already provokes a religious experience . Write A Comparison Geneva School? . . Transcendence is revealed by simple awareness of infinite height. ‘Most high’ spontaneously becomes an attribute of divinity. 6.

Whether he is on the ground looking up at the sky, or in the sky looking out or down, Sweeney’s heavens are invariably shot through with clouds. Clouds have a transitional quality, linking the sky with the earth, the how to write level essay, high with the low, the sacred with the profane. Write A Comparison School Of Diplomacy? (In this respect, they offer a perfect path for Sweeney’s imagination, as he seeks to invest the everyday and essay University, sometimes overlooked world with higher value.) Perhaps, too, clouds for Sweeney are particularly seeded with meaning, given that the Maori name for New Zealand is to write L’Institut des Arts Appliques Aotearoa -literally, “the land of the long white cloud.” Named by the legendary navigator Kupe, traveling across the vast Pacific from his homeland Hawaiki, the band of clouds on the horizon were a portent of landfall and a new world. Like the sky itself, clouds have a long history in religious belief. Durham University? In various mystical traditions clouds express the unknowable nature of the help essay ICS — School, divine (for example, The Cloud of how to essay Durham Unknowing , a medieval work of need help to write an essay L’Institut (LISAA) Christian mysticism). When clouds lift or clouds part, something hidden is revealed. This in itself has a religious drift to it. When the clouds part, we glimpse the how to write a college level essay University, light.

Veiling God, too terrible for human eye, the cloud already symbolizes the presence of God. Early in religious evolution, the Geneva School, cloud was a symbol of the how to a college Durham, Mesopotamian storm gods; and in Egypt of the creation deity. Later, as Jacqueline Taylor Basker outlines in for essay writing Hotel Institute Montreux her fascinating essay “The Cloud as Symbol: Destruction or Dialogue”: The Ancient Hebrews adapted the image of the cloud for Yahweh. As an how to write a college level essay University, aniconic people, who could not use a tangible material image to represent their god, the cloud provided a convenient insubstantial object to use as a visible symbol. During the wanderings of the Jews in the desert, the cloud hovers over or in the ‘tent of witness’ and plays a symbolic role as a recurrent theophany (an appearance of the Divine) in Old Testament scripture to witness the presence of God. 7. The Old Testament use of cloud symbolism continues in the New, now underlying the divine nature of Christ, as we see in the Transfiguration described in the Gospel of essay School Matthew (17:5):

While he was still speaking, a bright cloud enveloped them, and write level essay University, a voice from the cloud said, ‘This is descriptive writing my Son, whom I love; with him I am well pleased. How To A College Level Essay University? Listen to writing yourself him!’ Sweeney’s use of cloud imagery is rich and multivalent. His cloud formations can recall religious ideas about the eye of God or clouds of glory, while also evoking secular notions of castles in the sky-or, in opposite mood, mushroom clouds and nuclear destruction. Equally as powerful as sky and cloud in Sweeney’s symbolic world is water. In religious myth, water precedes creation. How To A College University? We sense this in Sweeney’s spectacular series of horizon photos taken from Raumati where he sometimes lives on the lower West Coast of New Zealand’s North Island. In these images, where water meets sky in changing light, it is critical must University of South (Navitas) as if the void takes shape-a creation myth enacted for his lens. For Sweeney, who grew up Roman Catholic, the first verses of Genesis would surely have inspired his vision: In the beginning God created the how to write a college essay, heaven and the earth.

And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. About School? And God said, ‘Let there be light’: and there was light. And God saw the light, that it was good: and God divided the light from the darkness. Water symbolizes creative potential. The actual world of form and endeavor emerges out of level water and an essay about Kent, ultimately dissolves back into it, purified and washed clean. As Eliade says, water is the how to write a college essay Durham, “reservoir of all the possibilities of existence.” Likewise, the horizon line opens us up to unlimited possibility, releasing us from life as it has taken shape around us and into the infinite beyond. An Essay Yourself Kent School? “The health of the eye,” wrote Emerson, “seems to demand a horizon. Write Essay University? We are never tired, so long as we can see far enough.” 8.

In conversation, Sweeney often talks about the restorative effect of horizons, and in particular how this view from help ICS — Community School Raumati used to excite his wonder about what might lie ahead for him-a virtuality that became actual when he left these islands surrounded by water to reimagine himself on the island of write level Manhattan. For Sweeney the writing about yourself School, cultural and how to write level essay, business opportunity of America is a promised land that called him forth. New York in particular is the seo article writing service Thornton Academy, symbolic and storied center of the world, especially compared to New Zealand geographically and by a college essay Durham University, association culturally on to be must Australia (Navitas) the edge of the world. But just as the how to write level essay University, sacred and the profane are necessarily coterminous for religious man, the center and the edge fold over each other for Sweeney. Hence, in his photography, he brings together nature-symbolized by the New Zealand landscape-and culture- symbolized by New York.

Traditionally, as we have seen, it is nature that is commonly invested with centrality or sacrality. Culture, on the other hand, is man-made, temporal, and by comparison regarded as peripheral. So, already in Sweeney’s work there is a certain displacement if not inversion between the idea of New Zealand and help essay ICS — International Community School, New York. According to this reading New Zealand would be a natural paradise and central while New York, teeming and distracted, would be far flung and on the edge. But the more we contemplate Sweeney’s photographs, the more we find these bipolar world views artfully turned upsidedown- his framing of write essay University nature is determined by words writing Montreux, both the how to write essay University, history of religion and of art (and in this way are mediated or unnatural; while his urban views, equally mediated by art history, are presented as natural pieces of infinity. You can see this for example in his image Aoraki Mt Cook . It speaks of incomparable natural splendor. As Sweeney says in conversation, “If mountains were show business this would be Broadway.” At the same time, we can’t help but be aware of its “chocolate box” vista-a view a million other travelers have snapped in passing as they seek to eff its ineffability. Whether conscious or unconscious, the historical religious significance of such a sight is overwhelming-the mountain surrounded by water and piercing the clouds is a universal paradisiacal image- and yet for this very reason, to write a comparison of Diplomacy our welltutored eye, the how to write University, image can also be read as a familiar effect of enculturation.

In Sweeney’s images, then, the sacred and the profane are in studied tension. In fact, it is along the horizon line of these two modes of about yourself Kent School perception that his images send our spirit flying. Again we experience something like this in his photo Road . This was taken on a road less traveled near Lake Taupo in the central North Island of New Zealand-for those in how to a college essay Durham University the know, site of a massive eruption in 180 ce, recorded to have turned the sky red over China and Rome. All memory of such a cataclysmic past is absent in descriptive Institute this beatific image. Sweeney says that he instantly recognized the image he wanted. He had his own road to Damascus experience. He stopped the car and took this single shot: light diffused through foreground trees, nimbus backed up over a college level essay, intervening hills . . . The shine and dip of tarmac curving elegiacally from sight, entering darkness before any promise of ascent . . . At the same time as we appreciate the hallowed features of this journey along what we also know is just a mundane stretch of road, we recognize its precedents in the documentary vision of American roads by photographers such as Edward Weston ( New Mexico Highway , 1937), Dorothea Lange ( The Road West , 1938), or Robert Frank ( US 285, New Mexico , 1955). Not a lonely country road at all, Sweeney’s road turns out to be well traveled.

And so, once again, not simply a spontaneous epiphany in the landscape, but a complicity of write a comparison essay Geneva of Diplomacy nature and write a college level essay Durham, culture, a charge of insight along the horizon line of the descriptive words writing Hotel, purportedly sacred and how to level, the allegedly temporal. Again, Sweeney’s cloud photos, which on the face of it seem to be a series of spontaneous visual prayers, can simultaneously be viewed as meditations on the history of art and ICS — International Community, photography- the Renaissance Assumptions and Transfigurations; the write a college, iconic puffed clouds of Magritte; the 1960s and 1970s cloudscapes of Georgia O’Keeffe (like Sweeney, mesmerized by views from airplane windows). Or Edward Weston’s photographs of towering and striated Mexican clouds from the mid-1920s; Alfred Steiglitz’s aerial views in his Equivalent series of photos from the 1920s and 1930s; Ansell Adams, Minor White, Ralph Steiner . . . the cloud chasers followed by Sweeney goes on. And his other-worldly view of nature is writing service Thornton revealed-and is revealing-as self-consciously worldly. Whereas the Transcendentalists needed to escape from towns and cities to commune with nature, Sweeney continues to find in manufactured landscapes and urban environments many of the classic symbols and attitudes of religious man-trees and lights, changing seasons, views from high, views looking up. For Sweeney, the city is how to write a college level essay Durham second nature-and as such his images here, to the very extent that they are commonplace, have the same revelatory effect as his scenes along backcountry roads or distant flight-paths. To Be Thinking Must University? Sweeney sees the light in things that someone else might regard as obscure, banal, incidental, or incomplete.

A simple lamp in a hotel room; a chandelier in City Hall, New York, glimpsed from the street outside; a Philippe Starck lightwork in Paris’ Baccarat Museum of Crystal. These three photos of fragments from bigger pictures-scraps from various excursions, but linked in how to a college Durham his consciousness by Geneva School of Diplomacy, a comparable glow-all communicate the religious insight of write a college level Durham University God shedding light to the world. Three modest infinities ripped out of time. Each impression or passing moment, each lived experience relived through art is write Geneva School of Diplomacy a fecundity, a sheer paradise. For Sweeney, New York itself is a paradise, insofar as it allows him to write essay Durham enter into words Hotel Institute, the spirit of photographers like Steiglitz, Steichen, or Kertesz who made the pilgrimage before him and like him made the city their home. Sweeney himself lives above Madison Square Park across from the Flatiron Building, and Edward Steichen’s iconic 1904 photograph powerfully haunts his own perception of the landmark. Just as we feel the presence and spirit of others in his photographs, Sweeney often invokes in us the corporeality of seeing itself: the blur of motion, the play of light or streak of moisture on a college essay University a window, the hint of the means of travel that sweeps the eye through the world. This at the same time as he playfully acknowledges both the similarities and the differences in to be must of South his worldview from the nature lovers and Transcendentalists who have passed before him.

So, in his triptych of images from Britain’s Lake District, we don’t see any tranquil, Wordsworthian view of rolling fields, glistening water, or stone fences. Instead, we catch a blurry view from a moving car of straggly roadsides that could be anywhere, but which nevertheless communicate the singular and exhilarating sense of an eye on the move, transported by the scene as much as it is transported through the scene. Likewise, the diptych of photos that look like abstract expressionist paintings, but are actually the runway at speed at La Guardia Airport, inspirit a sense of University timelessness in the very blur of time passing. (For the traditional Transcendentalists, infinity is best approached on foot. But for Sweeney, a Concord Transcendentalist in my misguided sense, infinity can also be grasped at speed.) For Sweeney, vision itself is a miracle given off by to be critical must of South, the rub of embodied eye and a college essay Durham University, physical world. A Comparison Essay School Of Diplomacy? When I look at his photos, I am reminded of Merleau-Ponty reflecting on the act of seeing and perceiving: My movements and the movements of my eyes make the a college level, world vibrate . . Descriptive For Essay Writing? . With each flutter of my eyelashes a curtain lowers and how to write, rises, though I do not think for an instant of imputing this eclipse to the things themselves; with each movement of descriptive for essay Hotel Institute my eyes that sweep the space before me the things suffer a brief torsion, which I also ascribe to myself; and when I walk in the street with my eyes fixed on the horizon of the houses, the whole of the setting near at hand quivers with each footfall on the asphalt, then settles down in write level essay Durham its place.

9. How we see, of course, both physically and culturally, determines what we see. (To make my point I take two photographs that aren’t part of descriptive for essay Paradise Road , but can be glimpsed along the verge.) We are culturally pre-determined to find revelatory experiences in certain places, like the photographers in Sweeney’s photo of the crowd in the Louvre snapping at the Mona Lisa. Perhaps this crowd in a hurry is a wry comment on Sweeney himself-although, as we have seen, he embraces speed to the point of stillness. But this frantic horde of photographers, desperate to catch their own fragment of the revelation La Gioconda represents, appear to how to write a college level essay University miss entirely the elusive figure against write essay, her backdrop of nature. Sweeney on the other hand, whose eye is quick to the edge as well as the center, finds revelation not only in the places that have been preordained, as in how to write a college level University the quiet and timelessness of the landscape (although there as well), but also in the blur and contemporaneity of the city-as in a billboard of Penelope Cruz gazing Mona Lisa-like at Thornton us as the world goes wonderfully, blindly about its business. 1 Mircea Eliade, The Sacred and how to write Durham University, the Profane: The Nature of descriptive for essay Institute Religion. New York: Harcourt Inc., 1957, p. 12. 2 Ralph Waldo Emerson,

Nature; Addresses and Lectures , 3 Ralph Waldo Emerson, The Divinity School Address , 4 Mircea Eliade, The Sacred and the Profane: The Nature of Religion , 7 Jacqueline Taylor Basker, “The Cloud as Symbol: Destruction or Dialogue,”

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The Modern Essay by Virginia Woolf. Widely considered one of the finest essayists of the 20th century, Virginia Woolf composed this essay as a review of Ernest Rhys's five-volume anthology of Modern English Essays: 1870-1920 (J.M. Dent, 1922). The review originally appeared in The Times Literary Supplement , November 30, 1922, and Woolf included a slightly revised version in her first collection of essays, The Common Reader (1925). In her brief preface to the collection, Woolf distinguished the common reader (a phrase borrowed from how to a college Durham University, Samuel Johnson) from the critic and scholar: He is help essay ICS — Community, worse educated, and nature has not gifted him so generously. He reads for his own pleasure rather than to impart knowledge or correct the opinions of a college level essay Durham others. To Be Thinking University Australia (Navitas)? Above all, he is guided by an instinct to create for himself, out of whatever odds and ends he can come by, some kind of whole--a portrait of a man, a sketch of an age, a theory of the art of writing. Here, assuming the guise of the common reader, she offers a few . A College? . . ideas and words for essay writing Hotel Institute, opinions about the nature of the English essay. Compare Woolf's thoughts on how to a college essay Durham, essay writing with those expressed by Maurice Hewlett in The Maypole and the Column and by Charles S. Brooks in The Writing of to be critical must be The of South Australia Essays. As Mr.

Rhys truly says, it is unnecessary to go profoundly into the history and origin of the essay--whether it derives from how to write essay University, Socrates or Siranney the Persian--since, like all living things, its present is more important than its past. Moreover, the family is Kent School, widely spread; and while some of its representatives have risen in the world and wear their coronets with the best, others pick up a precarious living in the gutter near Fleet Street. The form, too, admits variety. The essay can be short or long, serious or trifling, about God and Spinoza, or about turtles and Cheapside. But as we turn over how to write level, the pages of these five little volumes, containing essays written between 1870 and 1920, certain principles appear to control the chaos, and we detect in the short period under review something like the progress of history.

Of all forms of literature, however, the essay is the one which least calls for International, the use of long words. The principle which controls it is a college level essay University, simply that it should give pleasure; the desire which impels us when we take it from the shelf is simply to receive pleasure. Everything in help to write an essay L’Institut Superieur an essay must be subdued to that end. It should lay us under a spell with its first word, and we should only wake, refreshed, with its last. In the interval we may pass through the most various experiences of amusement, surprise, interest, indignation; we may soar to the heights of fantasy with Lamb or plunge to write a college Durham the depths of Hotel Institute wisdom with Bacon, but we must never be roused. The essay must lap us about and draw its curtain across the world. So great a feat is seldom accomplished, though the fault may well be as much on the reader's side as on a college level Durham, the writer's. Habit and lethargy have dulled his palate. A novel has a story, a poem rhyme; but what art can the essayist use in these short lengths of prose to sting us wide awake and fix us in a trance which is not sleep but rather an intensification of life--a basking, with every faculty alert, in the sun of pleasure? He must know--that is the first essential--how to write.

His learning may be as profound as Mark Pattison's, but in an essay, it must be so fused by the magic of writing that not a fact juts out, not a dogma tears the surface of the texture. Macaulay in one way, Froude in another, did this superbly over and over again. They have blown more knowledge into Institute Montreux, us in the course of one essay than the how to write a college Durham University, innumerable chapters of a hundred textbooks. But when Mark Pattison has to tell us, in the space of thirty-five little pages, about Montaigne, we feel that he had not previously assimilated M. Grun. M. Grun was a gentleman who once wrote a bad book. M. Grun and his book should have been embalmed for our perpetual delight in amber. But the process is fatiguing; it requires more time and write a comparison essay, perhaps more temper than Pattison had at his command. He served M. Grun up raw, and he remains a crude berry among the cooked meats, upon how to write essay Durham which our teeth must grate forever. Something of the sort applies to Matthew Arnold and a certain translator of Spinoza.

Literal truth-telling and finding fault with a culprit for his good are out of place in writing Thornton an essay, where everything should be for our good and rather for write a college level essay University, eternity than for the March number of the Fortnightly Review . But if the voice of the descriptive words writing Institute, scold should never be heard in write a college Durham University this narrow plot, there is another voice which is as a plague of locusts--the voice of a man stumbling drowsily among loose words, clutching aimlessly at vague ideas, the voice, for example, of Mr. Hutton in need to write L’Institut Appliques the following passage: A book could take that blow, but it sinks an Durham essay. A biography in help ICS — International School two volumes is how to write essay Durham, indeed the proper depository, for there, where the licence is so much wider, and hints and glimpses of outside things make part of the feast (we refer to the old type of words writing Hotel Montreux Victorian volume), these yawns and stretches hardly matter, and have indeed some positive value of their own. How To A College Level Essay Durham University? But that value, which is contributed by essay Geneva the reader, perhaps illicitly, in his desire to get as much into the book from all possible sources as he can, must be ruled out here. There is no room for the impurities of literature in a college level essay Durham University an essay. Somehow or other, by need an essay L’Institut Superieur des Arts dint of labor or bounty of nature, or both combined, the essay must be pure--pure like water or pure like wine, but pure from dullness, deadness, and deposits of extraneous matter. Of all writers in the first volume, Walter Pater best achieves this arduous task, because before setting out to write his essay ('Notes on Leonardo da Vinci') he has somehow contrived to get his material fused. He is how to write a college essay Durham University, a learned man, but it is not knowledge of Leonardo that remains with us, but a vision, such as we get in a good novel where everything contributes to bring the writer's conception as a whole before us. Only here, in the essay, where the ICS — Community, bounds are so strict and facts have to be used in their nakedness, the true writer like Walter Pater makes these limitations yield their own quality. Truth will give it authority; from its narrow limits he will get shape and intensity; and then there is no more fitting place for some of those ornaments which the old writers loved and a college level Durham University, we, by calling them ornaments, presumably despise.

Nowadays nobody would have the courage to embark on the once famous description of Leonardo's lady who has. learned the secrets of the grave; and has been a diver in deep seas and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants; and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary . . . The passage is too thumb-marked to slip naturally into the context. But when we come unexpectedly upon 'the smiling of women and the motion of great waters', or upon 'full of the refinement of the dead, in sad, earth-coloured raiment, set with pale stones', we suddenly remember that we have ears and we have eyes and that the English language fills a long array of stout volumes with innumerable words, many of which are of more than one syllable. The only living Englishman who ever looks into these volumes is, of course, a gentleman of an essay L’Institut Superieur Appliques Polish extraction. But doubtless our abstention saves us much gush, much rhetoric, much high-stepping and cloud-prancing, and for the sake of the prevailing sobriety and hard-headedness, we should be willing to barter the splendor of how to write essay Durham Sir Thomas Browne and the vigor of Swift. Yet, if the essay admits more properly than biography or fiction of sudden boldness and metaphor, and can be polished till every atom of its surface shines, there are dangers in that too. Descriptive Hotel Montreux? We are soon in sight of ornament. Soon the current, which is the life-blood of level essay literature, runs slow; and instead of sparkling and flashing or moving with a quieter impulse which has a deeper excitement, words coagulate together in frozen sprays which, like the grapes on for essay Institute Montreux, a Christmas-tree, glitter for a single night, but are dusty and garnish the day after.

The temptation to decorate is great where the theme may be of the slightest. What is write Durham University, there to interest another in the fact that one has enjoyed a walking tour, or has amused oneself by rambling down Cheapside and looking at the turtles in Mr. Sweeting's shop window? Stevenson and Samuel Butler chose very different methods of exciting our interest in these domestic themes. Stevenson, of course, trimmed and polished and to write L’Institut des Arts (LISAA), set out his matter in the traditional eighteenth-century form. How To A College Durham University? It is admirably done, but we cannot help feeling anxious, as the essay proceeds, lest the write essay School of Diplomacy, material may give out under the craftsman's fingers. Write A College Level Essay University? The ingot is so small, the manipulation so incessant. And perhaps that is why the peroration--

To sit still and contemplate--to remember the faces of women without desire, to be pleased by Academy the great deeds of men without envy, to be everything and how to write a college, everywhere in sympathy and yet content to remain where and what you are-- has the sort of insubstantiality which suggests that by the time he got to the end he had left himself nothing solid to work with. Butler adopted the very opposite method. Think your own thoughts, he seems to say, and speak them as plainly as you can. These turtles in the shop window which appear to leak out of their shells through heads and feet suggest a fatal faithfulness to a fixed idea. To Be Thinking Must Be The Of South? And so, striding unconcernedly from one idea to the next, we traverse a large stretch of write a college level essay ground; observe that a wound in critical thinking University the solicitor is a very serious thing; that Mary Queen of Scots wears surgical boots and is subject to fits near the Horse Shoe in Tottenham Court Road; take it for granted that no one really cares about Aeschylus; and so, with many amusing anecdotes and some profound reflections, reach the peroration, which is that, as he had been told not to see more in write a college level essay University Cheapside than he could get into help International Community School, twelve pages of the write a college essay Durham, Universal Review , he had better stop. Descriptive Words For Essay? And yet obviously Butler is at least as careful of our pleasure as Stevenson, and to write like oneself and call it not writing is a much harder exercise in style than to write like Addison and call it writing well. But, however much they differ individually, the Victorian essayists yet had something in common.

They wrote at how to write level essay greater length than is now usual, and they wrote for a public which had not only time to sit down to its magazine seriously, but a high, if peculiarly Victorian, standard of culture by which to descriptive for essay Hotel judge it. How To Write A College Level Essay Durham University? It was worth while to descriptive for essay writing speak out upon serious matters in an essay; and there was nothing absurd in writing as well as one possibly could when, in write level Durham University a month or two, the same public which had welcomed the writing an essay about yourself School, essay in a magazine would carefully read it once more in a book. But a change came from a small audience of cultivated people to a larger audience of people who were not quite so cultivated. The change was not altogether for the worse. In volume iii. we find Mr. Birrell and Mr. Beerbohm. How To Write A College Level Durham University? It might even be said that there was a reversion to the classic type and that the essay by losing its size and something of its sonority was approaching more nearly the essay of writing Addison and Lamb. At any rate, there is a great gulf between Mr. Birrell on Carlyle and the essay which one may suppose that Carlyle would have written upon Mr.

Birrell. There is little similarity between A Cloud of Pinafores , by Max Beerbohm, and A Cynic's Apology , by Leslie Stephen. But the essay is alive; there is no reason to despair. As the conditions change so the essayist, most sensitive of all plants to public opinion, adapts himself, and write level essay Durham, if he is good makes the best of the change, and if he is bad the worst. Mr. Birrell is certainly good; and so we find that, though he has dropped a considerable amount of weight, his attack is much more direct and help International School, his movement more supple. Write A College Level Essay Durham? But what did Mr. Beerbohm give to the essay and what did he take from it? That is to be critical must University of South Australia, a much more complicated question, for here we have an essayist who has concentrated on the work and is, without doubt, the prince of his profession. What Mr.

Beerbohm gave was, of how to write a college essay University course, himself. This presence, which has haunted the essay fitfully from the time of Montaigne, had been in exile since the death of Charles Lamb. Matthew Arnold was never to his readers Matt, nor Walter Pater affectionately abbreviated in a thousand homes to Wat. Critical Thinking Of South (Navitas)? They gave us much, but that they did not give. Thus, sometime in the nineties, it must have surprised readers accustomed to exhortation, information, and denunciation to find themselves familiarly addressed by a voice which seemed to belong to how to a college essay Durham University a man no larger than themselves. He was affected by private joys and sorrows and had no gospel to preach and no learning to impart.

He was himself, simply and directly, and himself he has remained. Once again we have an essayist capable of using the essayist's most proper but most dangerous and delicate tool. He has brought personality into literature, not unconsciously and impurely, but so consciously and purely that we do not know whether there is any relation between Max the essayist and to be must University (Navitas), Mr. Beerbohm the man. We only know that the spirit of how to write a college essay personality permeates every word that he writes. The triumph is the to be critical must be The of South (Navitas), triumph of style. For it is Durham, only by knowing how to write that you can make use in literature of yourself; that self which, while it is essay International School, essential to literature, is also its most dangerous antagonist. Never to be yourself and yet always--that is the problem. Some of the essayists in how to write Mr.

Rhys' collection, to be frank, have not altogether succeeded in solving it. We are nauseated by the sight of trivial personalities decomposing in to be critical of South Australia (Navitas) the eternity of print. As talk, no doubt, it was charming, and certainly, the writer is a good fellow to meet over a bottle of beer. But literature is stern; it is no use being charming, virtuous or even learned and brilliant into the bargain, unless, she seems to reiterate, you fulfill her first condition--to know how to write. This art is how to a college Durham University, possessed to perfection by Mr. Beerbohm. But he has not searched the dictionary for polysyllables. He has not molded firm periods or seduced our ears with intricate cadences and strange melodies.

Some of his companions--Henley and Stevenson, for example--are momentarily more impressive. But A Cloud of Pinafores has in essay it that indescribable inequality, stir, and write a college essay Durham University, final expressiveness which belong to life and to life alone. You have not finished with it because you have read it, any more than friendship is ended because it is time to part. Life wells up and alters and yourself, adds. Even things in a book-case change if they are alive; we find ourselves wanting to meet them again; we find them altered. So we look back upon essay after essay by Mr. How To A College University? Beerbohm, knowing that, come September or May, we shall sit down with them and talk.

Yet it is true that the essayist is the most sensitive of critical be The University of South Australia all writers to public opinion. The drawing-room is the place where a great deal of reading is write level University, done nowadays, and the essays of Mr. L’Institut Superieur Des Arts Appliques? Beerbohm lie, with an exquisite appreciation of all that the position exacts, upon the drawing-room table. There is no gin about; no strong tobacco; no puns, drunkenness, or insanity. Ladies and how to write essay, gentlemen talk together, and some things, of descriptive writing Institute course, are not said. But if it would be foolish to write a college University attempt to confine Mr. Beerbohm to one room, it would be still more foolish, unhappily, to make him, the about yourself Kent, artist, the man who gives us only his best, the representative of our age. There are no essays by Mr. Write Essay University? Beerbohm in the fourth or fifth volumes of the write a comparison Geneva School, present collection.

His age seems already a little distant, and the drawing-room table, as it recedes, begins to look rather like an altar where, once upon a time, people deposited offerings--fruit from their own orchards, gifts carved with their own hands. Now once more the conditions have changed. The public needs essays as much as ever, and perhaps even more. The demand for the light middle not exceeding fifteen hundred words, or in special cases seventeen hundred and fifty, much exceeds the supply. Where Lamb wrote one essay and write a college level essay, Max perhaps writes two, Mr. Belloc at a rough computation produces three hundred and writing, sixty-five. They are very short, it is true. How To Durham? Yet with what dexterity the practised essayist will utilise his space--beginning as close to the top of the sheet as possible, judging precisely how far to seo article Thornton Academy go, when to a college Durham turn, and how, without sacrificing a hair's breadth of paper, to wheel about and alight accurately upon the last word his editor allows!

As a feat of skill, it is well worth watching. But the thinking must be The Australia, personality upon which Mr. Belloc, like Mr. Write A College Durham? Beerbohm, depends suffers in words Institute Montreux the process. It comes to us, not with the how to write a college level essay, natural richness of the speaking voice, but strained and thin and full of mannerisms and affectations, like the voice of a comparison Geneva of Diplomacy a man shouting through a megaphone to a college essay Durham University a crowd on a windy day. For Essay Writing Institute? 'Little friends, my readers', he says in how to a college the essay called 'An Unknown Country', and he goes on write Geneva, to tell us how-- There was a shepherd the other day at write a college essay Findon Fair who had come from the east by Lewes with sheep, and who had in his eyes that reminiscence of horizons which makes the eyes of writing an essay about shepherds and of mountaineers different from the eyes of other men. . . . I went with him to hear what he had to say, for shepherds talk quite differently from other men. Happily, this shepherd had little to say, even under the stimulus of the inevitable mug of beer, about the Unknown Country, for the only remark that he did make proves him either a minor poet, unfit for the care of sheep or Mr. Belloc himself masquerading with a fountain pen.

That is the penalty which the habitual essayist must now be prepared to face. He must masquerade. He cannot afford the time either to be himself or to how to essay Durham University be other people. He must skim the surface of thought and dilute the strength of personality. He must give us a worn weekly halfpenny instead of a solid sovereign once a year. But it is not Mr. Belloc only who has suffered from the prevailing conditions. The essays which bring the collection to the year 1920 may not be the best of their authors' work, but, if we except writers like Mr.

Conrad and Mr. Hudson, who have strayed into essay writing accidentally, and concentrate upon those who write essays habitually, we shall find them a good deal affected by the change in help to write an essay L’Institut des Arts Appliques their circumstances. How To Write Level? To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in to be critical thinking must be The University the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin. And so, if one reads Mr. Lucas, Mr. Lynd, or Mr. Squire in a college Durham University the bulk, one feels that a common grayness silvers everything. They are as far removed from the extravagant beauty of Walter Pater as they are from the intemperate candor of Leslie Stephen. Beauty and courage are dangerous spirits to bottle in a column and a half; and thought, like a brown paper parcel in a waistcoat pocket, has a way of spoiling the symmetry of an article. It is a kind, tired, apathetic world for which they write, and the marvel is that they never cease to attempt, at seo article service Thornton Academy least, to write well.

But there is no need to pity Mr. Clutton Brock for this change in the essayist's conditions. He has clearly made the best of his circumstances and not the worst. One hesitates even to say that he has had to how to write a college essay Durham University make any conscious effort in the matter, so naturally, has he effected the transition from the private essayist to the public, from the writing service Thornton Academy, drawing-room to the Albert Hall. Paradoxically enough, the shrinkage in size has brought about a corresponding expansion of individuality. We have no longer the 'I' of Max and write a college, of Lamb, but the 'we' of public bodies and writing an essay School, other sublime personages. It is 'we' who go to hear the Magic Flute; 'we' who ought to profit by it; 'we', in some mysterious way, who, in our corporate capacity, once upon a time actually wrote it. How To Write A College? For music and literature and art must submit to the same generalization or they will not carry to the farthest recesses of the Albert Hall.

That the voice of Mr. Clutton Brock, so sincere and so disinterested, carries such a distance and need an essay L’Institut Superieur des Arts (LISAA), reaches so many without pandering to write a college level University the weakness of the mass or its passions must be a matter of legitimate satisfaction to us all. To Be Thinking Must University Of South (Navitas)? But while 'we' are gratified, 'I', that unruly partner in the human fellowship, is reduced to despair. 'I' must always think things for himself, and feel things for himself. To share them in a diluted form with the majority of well-educated and well-intentioned men and women is for him sheer agony; and while the rest of us listen intently and write level, profit profoundly, 'I' slips off to the woods and the fields and rejoices in a single blade of grass or a solitary potato. In the fifth volume of a comparison essay School modern essays, it seems, we have got some way from pleasure and the art of a college writing. But in justice to the essayists of 1920 we must be sure that we are not praising the famous because they have been praised already and the dead because we shall never meet them wearing spats in Piccadilly. We must know what we mean when we say that they can write and to be critical thinking must be The of South (Navitas), give us pleasure. We must compare them; we must bring out the write Durham, quality. We must point to this and say it is good because it is exact, truthful, and imaginative:

Nay, retire men cannot when they would; neither will they, when it were Reason; but are impatient of Privateness, even in age and sickness, which require the shadow: like old Townsmen: that will still be sitting at their street door, though therby they offer Age to Scorn . . . and to this, and say it is bad because it is loose, plausible, and commonplace: With courteous and precise cynicism on his lips, he thought of quiet virginal chambers, of waters singing under the moon, of terraces where taintless music sobbed into the open night, of pure maternal mistresses with protecting arms and vigilant eyes, of fields slumbering in a comparison essay School of Diplomacy the sunlight, of a college leagues of help essay ICS — School ocean heaving under warm tremulous heavens, of hot ports, gorgeous and perfumed. . . . It goes on, but already we are bemused with sound and neither feel nor hear. The comparison makes us suspect that the art of writing has for backbone some fierce attachment to an idea. It is on the back of an idea, something believed in with conviction or seen with precision and thus compelling words to its shape, that the write a college level Durham, diverse company which includes Lamb and words for essay writing Institute Montreux, Bacon, and Mr. Beerbohm and Hudson, and Vernon Lee and Mr. How To A College University? Conrad, and Leslie Stephen and Butler and Walter Pater reaches the farther shore.

Very various talents have helped or hindered the passage of the idea into words. Some scrape through painfully; others fly with every wind favouring. Writing An Essay? But Mr. Write Level? Belloc and Mr. Descriptive Words For Essay Writing Montreux? Lucas and Mr.

Squire are not fiercely attached to anything in itself. They share the contemporary dilemma--that lack of an obstinate conviction which lifts ephemeral sounds through the misty sphere of anybody's language to the land where there is a perpetual marriage, a perpetual union. Vague as all definitions are, a good essay must have this permanent quality about it; it must draw its curtain round us, but it must be a curtain that shuts us in, not out.

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Dian Fossey – Life and Death Essay Sample. Dian Fossey was born 1932 in San Francisco. Her parents divorced when she was six. Her mother, Kitty and level University, her second husband, contractor Richard Price, raised her. Her stepfather was a taskmaster and her mother a worrywart, according to Fossey’s account of her childhood. She left home for college and never returned except for brief visits. Fossey began studying veterinary science at the University of California, but she transferred to San Jose State College and switched majors to occupational therapy.

She graduated in 1954 and help ICS — Community School, moved 2,000 miles from level essay Durham University her mother, taking a job working with autistic children at a Shriners’ hospital in Louisville, Kentucky. Through her work she became acquainted with doctors and for essay writing Hotel, their wives, and through those contacts she developed an active social life in Louisville, cavorting with men from the city’s social register. Among her suitors were two brothers, Franz and Alexie Forrester, scions of a Rhodesian family with royal Austrian roots. In part through their influence, Fossey became smitten by Africa. By 1960 Fossey was obsessed with the idea of going on safari. One problem: She had no money, and the month-long trip would cost $5,000 — more than a full year’s salary. Franz Forrester offered a solution. He proposed marriage, promising a safari honeymoon. But Fossey was not ready to settle down. Durham. Instead, she saved every penny for two years, and then took a loan against future income to raise the money for her safari. Kent. She departed Sept.

26, 1963. Fossey insisted that her guide take her to Olduvai Gorge in Serengeti National Park, the center of Louis Leakey’s famous archaeological research. Leakey was among the world’s most famous scientists in 1963, and how to write Durham, Fossey was determined to meet him. Leakey proved to be quite accommodating, as he generally was with attractive young women. They had a long visit, and Leakey encouraged Fossey to go north to observe the descriptive for essay writing, rare mountain gorillas that lived at the border lands of Rwanda, Uganda and Zaire. How To Write Essay University. Leakey told Fossey to keep intouch and she had every intention to.

She and critical must Australia (Navitas), her guide made their way to the mountains, where Fossey met wildlife filmmakers Alan and Joan Root, who were filming gorillas in the Virunga Mountains. The Roots allowed Fossey to tag along. This was her first experience at high-altitude jungle hiking, and how to a college essay University, she had trouble keeping up as the couple and their African guides moved swiftly along through rugged terrain at more than 10,000 feet high. A native guide suddenly halted the a comparison essay Geneva School, group and a college Durham, used his machete to cut a window through the brush. To Write An Essay L’Institut Appliques. Fossey crawled forward and gazed through the opening. How To Write A College Level Essay University. There was a group of 6 adult gorillas lounging around. To Be Critical. The next day, Fossey departed the mountains for an airplane trip south to Rhodesia (now Zimbabwe) to how to write a college University visit the family farm of Franz and Alexie Forrester. But she left looking over her shoulder.

She wrote, “I left… never doubting that somehow I would return to learn more about the Virunga gorillas.” With singular determination, Dian Fossey spent three years plotting her return to Africa. Need Help L’Institut Superieur Appliques (LISAA). She maintained her job working with children at the Louisville hospital, primarily because she had mortgaged her future income to how to write level University secure the loan for her trip abroad. But on weekends and evenings she focused on need to write des Arts, her avocation. She tried without success to sell the film she had shot in Africa, and she submitted photographs of her trip to write Durham University the National Geographic. Fossey also labored over several long magazine articles about her safari, which she sent to writing Thornton some of the how to write level essay, nation’s largest periodicals — Life, Saturday Evening Post, Reader’s Digest.

She was rejected at every turn. Instead of writing yourself Kent giving up, Fossey enrolled in the Famous Writer’s School, the kitschy correspondence course that was popular with aspiring wordsmiths in that era. The Louisville Courier-Journal finally agreed to publish several stories about her adventure. But her big break did not come from a magazine or a famous writer. How To A College Level Essay Durham University. It came from Louis Leakey. In March 1966, three years after Fossey’s safari, Leakey stopped in Louisville during a lecture tour. Fossey lined up with dozens of others to meet him after the to be thinking Australia (Navitas), speech. How To A College Essay Durham. “When my turn came, he gave a crinkly smile of recognition and gave my hand a good long squeeze.” Fossey wrote. Write A Comparison Of Diplomacy. “I told him that all I really wanted was to spend my life working with animals — that had always been my dream, and I was especially interested in the gorillas on the Virunga mountains.” Her timing could not have been more perfect.

Leakey was considering sponsoring a long-term study of the how to a college level essay Durham University, mountain gorillas. Leakey asked her to meet him the words writing Institute, following morning. At the meeting Leakey explained that he had already interviewed 22 applicants for the gorilla project. Write A College Level Durham. Most were male, university-trained scientists. But Leakey said he preferred the enthusiastic women. This was true. Help To Write L’Institut Superieur Des Arts. In 1960, he had been paid a visit in Africa by Jane Goodall, a young native Londoner on a college University, extended holiday. Although she was untrained in the sciences, Leakey used his sway to appoint Goodall to begin a study of a community of chimpanzees on help to write L’Institut Appliques, the shores of Lake Tanganyika. Fossey was 34, eight years older than Goodall when she began her work. Leakey told Fossey she was the perfect age — mature and beyond the write level Durham, age of rash decisions. Three weeks later, he sent a letter offering Fossey the service, gorilla job.

Fossey quit her job, tied up loose ends in Louisville, paid a visit to her family in California and departed for essay University Africa 10 days before Christmas in write Geneva, 1966. Five years later, Louis Leakey anointed Birute Galdikas, a young Canadian, to study orangutans in the rainforests of Borneo. How To A College University. Together, the for essay writing Institute Montreux, three primatologists — Goodall, Fossey and Galdikas — would become known as “Leakey’s Angels.” With Leakey’s funding, Fossey established the Karisoke Research Center, named for the two mountain peaks that framed it, Mt. Karisimbi and how to a college level University, Mt. Visoke. Fossey made a decision to writing Kent School base her research work closer to the gorillas than to civilization.

From the nearest road, her camp was a three-hour climb up a path that ascended 4,000 feet She lived an austere lifestyle, dedicating herself to daily field observation of the gorilla groups living within hiking distance of Karisoke. She lived in a tent for many months, then directed the how to level Durham University, construction of a small, tin-roofed cabin that better protected her from the frequent rain and chilly air. Except for the occasional visitor, her only regular contact with the outside world was a monthly grocery excursion to the village at the base of the mountain. By most assessments, Fossey was fabulously successful in working with the animals during her early years in Africa. She spent countless hours in to be critical thinking University of South, the bush, observing the gorillas and documenting their behavior, breeding and interplay. Over months and years, the how to a college essay Durham University, relentless time she spent with the animals at close quarters began to pay off as the to be thinking must University, gorillas became more at ease with her presence. The curious animals began to approach her ever more closely. Durham University. She copied their movements and gestures, instinctively understanding this form of communication could be a bridge.

Over time, Fossey documented the familial relationships within eight groups of gorillas, numbering nearly 100 in all, that lived in the vicinity of her camp. Words For Essay Hotel Institute. Fossey estimated there were just 250 mountain gorillas in all. She gave names to each of the apes — Uncle Bert, Peanuts, Amok. Level Essay Durham University. But she developed a particular kinship with a young male she named Digit, first encountered soon after she arrived in seo article Thornton, Africa. As he matured, the gorilla exhibited a bold curiosity about how to a college level Fossey, and over several years they developed a relationship so close that it was considered unprecedented between the two species. Digit and other gorillas in his group began treating Fossey as a de facto ape.

She was allowed to sit in their midst, hold the infants, groom the to be critical thinking must University, adults and, in turn, be groomed. A College Level Essay Durham University. She would nap with them, play with them, and even eat with them, joining the gorillas as they dined on leaves, fruit, seeds, flowers, roots and herbs. Even the dominant silverback males — who could weigh 400 pounds and are regarded as aggressive and potentially dangerous — began to accept Fossey’s presence. In January 1970, the relationships between Fossey, Digit and the other mountain gorillas were documented in a cover story she wrote for National Geographic magazine. The images of Fossey communing with the great apes captured the hearts of the world. Journalists and documentary filmmakers rushed to Rwanda for their own look at Fossey and her hairy friends. The attention attracted additional funding, and Karisoke began to resemble a true research center, with several new cabins constructed to house visitors. University students began vying for positions as research assistants at Karisoke, and research scientists angled for temporary positions working alongside the famous gorilla-watcher. Just three years in Africa, Fossey was at an essay about Kent the top of her profession as a field researcher. Unfortunately, Dian Fossey never developed the same affection for most humans that she felt for gorillas. She had nothing good to say about — or to — any of how to write a college essay Durham University her African employees.

In her journal, letters, reports and conversations, Fossey consistently lambasted the Africans for various shortcomings. She wrote in her journal, “My cookboy, Phocas… is so rude and about yourself Kent School, insolent I hate having him here… The same holds true with the write essay, park guards. You can’t be nice to them. If you give them a cigarette one day, they want the to be critical thinking University Australia, pack the next. So I go around giving orders and grumbling…” Another of write essay Durham University Fossey’s peeves was the natives who grazed their domestic livestock amid the gorilla habitat in the park. Over time she became shockingly strident in an essay about School, her treatment of the write level essay Durham, illegal grazers. More than once she took up a rifle and for essay writing, shot cows owned by a native whom she believed had violated park regulations against grazing. But she saved her most venomous vitriol for how to write essay University poachers.

They moved like shadows in small groups through the Parc des Volcans. Most were armed with spears and machetes, not guns. To Be Critical Be The University (Navitas). Some hunted for meat to survive, targeting antelope, bushbuck, buffalo and the hyrax, a rabbit-like creature. But others specifically targeted gorillas to sell their trophy hands and write level essay University, heads on Thornton, the international souvenir black market. After lobbying by Fossey, the Rwandan government agreed to station anti-poaching patrols at her Karisoke center. The patrols managed to push the poachers around a bit, and sometimes they would haul in a suspect. Fossey frequently exacted corporal punishment, beating the how to a college Durham, accused with a cane or the stalk of a nettles plant.

She often used an additional tactic: fake black magic. With fire, gunpowder and flares, she would pretend to descriptive Hotel Institute Montreux cast a spell on the suspected offender, hoping that word would get around among poachers of her extraordinary powers. Indeed, she came to be regarded as a little crazy, perhaps deservedly. Fossey had a long-running battle with a notorious poacher named Munyarukiko. In the spring of 1972, she discovered that Munyarukiko had staged his own arrest by park guards, who collected a $120 reward, split it with the poacher, then released him.

Fossey marched to Munyarukiko’s camp, burned his belongings and kidnapped his four-year-old son, whom she held for a day before releasing him. In her journals, she referred to her incidents of how to write level essay University livestock-shooting, vigilante assaults and kidnapping as “my latest no-no.” Fossey established a gorilla graveyard at Karisoke for apes killed by poachers. Despite her efforts and those of the government patrols, carcasses turned up from time to time, and the graveyard grew — each plot marked by a stubby pole topped with a board on which Fossey painted the a comparison essay of Diplomacy, name she had given the animal. On Jan. How To Write A College Level. 1, 1978, an assistant found the essay ICS — International Community, corpse of Fossey’s beloved Digit, by then a young silverback, ten-years-old. His head, heart and hands and feet had been removed. A dead dog found at how to a college Durham University the site — apparently killed by Digit before he was himself speared to death — was identified as belonging to Munyarukiko, the infamous poacher. The seminal event prompted Fossey to change the focus of need help to write Appliques her work. How To Write Level Durham University. She essentially abandoned academic research in favor of gorilla advocacy — what she came to descriptive words writing Hotel call “active conservation.” She founded the how to write University, Digit Fund to Community School pay for her work. Fossey offered a cash bounty on Digit’s killers and threatened the government with an how to write essay Durham anti-tourism poster featuring photos of the ape’s mutilated corpse above the need help to write an essay L’Institut Superieur Appliques, slogan, “Come Visit Me in essay University, Rwanda.” She ordered her student researchers to begin carrying guns.

Not long after the killing, her African employees captured a local tribesman who admitted that Munyarukiko’s clan was responsible — although Fossey acknowledged that she and her men had hogtied the man and “examined him very, very, very thoroughly.” The tribesman said Munyarukiko had been paid the equivalent of $20 for Digit’s body parts. Fossey held the man for (LISAA) several days before turning him over to government authorities, and the Rwandan government complained to the U.S. embassy, which in level, turn griped to National Geographic Society, by then her primary funding source. Geneva School Of Diplomacy. She received a telegram from Melvin Payne, president of National Geographic: “WE ARE GREATLY DISTURBED BY OFFICIAL REPORT RECENT INCIDENT INVOLVING YOURSELF AND POACHERS STOP FULLY UNDERSTAND YOUR POSITION BUT URGE UTMOST RESTRAINT IN VIEW YOUR STATUS AS ALIEN RWANDA TOTALLY DEPENDENT UPON GOVERNMENT GOODWILL FOR CONTINUATION YOUR RESEARCH.” She later received an write essay Durham University official letter from the be The University of South Australia (Navitas), Rwandan government, warning against any publicity “that would discredit Rwanda and how to write essay, Rwandan parks.” Fossey agreed to a meeting at words for essay writing Institute the American embassy in how to write level essay, the capital city of Kigali, and she sat steaming as an writing School old Belgian colonial governor, J.P. Harroy, castigated her for Digit’s death. Belgian advisors to write Durham the Rwandan government believed gorilla tourism was one of the poor country’s few possibilities for income. “He had the nerve to say that Digit had been killed because of writing School me,” Fossey wrote in her journal. “He said the poachers wanted revenge because I’ve stopped their activities… Harroy also had the audacity to tell me that it was wrong for me to how to write level Durham catch one of Digit’s killers!” Fossey dismissed Harroy’s ideas as those of a “senile old man.” But later events would make his words seem like a harbinger. Dian Fossey’s reaction to the Belgian official was typical: She was an inveterate name-killer and was not above throwing a tantrum — or a piece of furniture — if something did not go her way.

And things rarely went her way in personal relationships. Granted, living in a cabin on an African mountaintop does not invite stable domesticity. Writing Kent School. But Fossey had a bad habit of embarking on affairs with married men. These included any number of visitors to Karisoke, from tourists to cameramen to students to visiting scholars. She had other similarly ill-fated relationships during her periodic sabbaticals to universities in England and the United States. Most ended the same way: with the man leaving a devastated Fossey behind. She even had a brief fling with Louis Leakey, although that was the rare case in which Fossey dumped the love-bitten scientist, who gamely persisted with a series of sad love letters. But Fossey’s most trying relationship was a mix of personal and professional. In 1970, during a doctoral-studies stint at Cambridge in England, Fossey met an ambitious undergraduate student named Alexander (Sandy) Harcourt.

She invited him to Karisoke as an intern, and her journal indicates that they developed an intimate relationship, although he was half her age. Harcourt returned to the Rwandan research center as a Ph.D. student in 1972. Level Essay. This time, instead of pairing up with Fossey, Harcourt fell for writing Kent a young American student from Stanford, Kelly Stewart, daughter of the Durham University, actor Jimmy Stewart. Fossey wrote admiringly about the bright, clever Stewart during her first weeks at Karisoke. But her journal notes took a turn after Harcourt and Stewart became lovers. Like a prudish aunt, she observed their movements as keenly as she had her gorillas. “Sandy’s cabin lights went off early, and a comparison essay Geneva School, hers much earlier, but then come on University, again, and her curtains firmly drawn. Whom do they think they’re kidding?” For more than a decade after those jealous words were written, Fossey and Harcourt fought over control of the Karisoke center. Kelly and Harcourt disparaged Fossey behind her back as boozy, lazy and moody, and Harcourt lobbied hard with funding sources to be named director of Karisoke.

Fossey had similar conflicts with Amy Vedder and Bill Weber, another young scientist couple who conducted research at the center. They later wrote a book claiming that Fossey got too much credit for her gorilla-study project. Yourself Kent School. They went so far as to claim that Fossey rarely visited the gorillas because she was drunk much of the write a college level University, time. Bill Weber with gorilla. A blunt letter that Frank Crigler, the service Thornton, U.S. Write Essay Durham. ambassador to Rwanda, wrote to Fossey in 1978, after the killings of Digit and two other gorillas, gives some credence to their allegations. In his letter Crigler refers to “the Fossey problem.” “This town (Kigali) is awash in unfriendly ‘Fossey stories’ right now, all about your heavy drinking, gun slinging, and manic-depression. Some of it, at least, is reaching the Rwandan authorities,” Crigler wrote. To Write L’Institut (LISAA). “There’s a real danger that even well-meaning people could become convinced that Fossey is how to a college level Durham University, more of a liability than an asset to faunal preservation now. And those outraged letters to the Rwandan government from American conservationists, all of writing an essay yourself them citing your name, aren’t helping matters either.” Making the a college level Durham University, same point as the former Belgian governor, Crigler went on to write that some people were “becoming increasingly convinced that they (the gorilla killings) are the results of a vendetta aimed at you personally.

I take every opportunity to stress that… the government must crack down on the persons behind this vendetta. A Comparison Geneva Of Diplomacy. But there is nonetheless a tendency for some to write level essay want to take the easier way out, i.e., to remove the target of the vendetta.” Instead, she devised a plan to seo article writing service Thornton take a leave on her own terms, and in March 1980 she finally left Karisoke for an appointment as a visiting professor at Cornell University in upstate New York. She used her time there to polish her memoirs and to regain her health, decimated by sciatica, chronic respiratory distress and back pain. Fossey spent most of the next three years in the United States. The success of write a college her book, Gorillas in the Mist, published in School, the summer of 1983, filled her bank account at the right time. Foundation funding for Karisoke had dried up, as threatened, and Fossey began paying the bills herself when she returned to Rwanda in November 1983.

In the fall of 1985, a series of how to a college level essay Durham odd incidents presaged Fossey’s murder. First, her pet parrots fell victim to apparent poisoning. For Essay Writing Institute Montreux. A few days later, Fossey found the carved likeness of write a college level essay Durham a puff adder — a venomous African snake — on the doorstep of her cabin. According to the region’s black magic, this meant she had been marked with the curse of death. Fossey noted in an Oct. Seo Article Service Thornton. 27 journal entry that she had received the how to level essay Durham, apparent threat, but she paid little heed. Exactly two months later, early in the morning on Dec. 27, 1985, someone broke into a comparison essay Geneva School, her cabin while she slept by knocking a hole in a wall.

Fossey apparently was awakened by how to level the intruders, and she scrambled for a handgun stored in a bureau drawer. She got the gun and its ammunition clip in words Hotel Institute, hand, but she was slain by two blows from a bush machete that cleaved open her head before she could use the weapon. At sunrise, an African aide delivering coffee found her body splayed across the write level Durham University, sofa. The floor glittered with broken glass from lamp globes shattered during the struggle. Seo Article. The mattress on her bed was askew, and a small table at the center of the cabin was overturned. The crime scene indicated that Dian Fossey died fighting. Fossey was buried in her gorilla graveyard on the final day of 1985. Her initial gravemarker was identical to those of the gorillas who lay buried around her: a simple wooden placard painted with the name “Dian.” Later, someone added a more permanent marker. Is this the perfect essay for how to write a college essay you? Save time and descriptive words for essay writing Hotel Institute, order Dian Fossey – Life and Death.

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