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Frank Gaffney: McMaster Has Been ‘Insubordinate’ to President Trump, Worked to in writing Algonquin College, ‘Subvert His Policies’ Written by Joh Amerson August 19th 2017. Community for i have an essay due tomorrow Istituto Paris, Security Policy President Frank Gaffney joined SiriusXM have Alex Marlow on Wednesday#8217;s Breitbart News Daily to talk about the media#8217;s endeavor to outline all feedback of National Security Adviser H.R. McMaster as a scheme coordinated by article in writing College none other than Marlow#8217;s ancestor as Breitbart News Daily host, Steve Bannon. Marlow expelled allegations that he is planning with Bannon to remove McMaster, contending that publication approach at Breitbart on critical thinking bias, issues appropriate to McMaster#8217;s employment execution has been predictable for a considerable length of time. Gaffney thought that it was unexpected that the left is #8220;extremely ready to blame others for being intrigue scholars, but then take part in them constantly, and in writing College this is a prime case of it.#8221; #8220;I haven#8217;t seen the majority of your giving an account of this subject, yet what I have seen has been exact and exceptionally essential,#8221; he told Marlow. #8220;I think without a doubt, having been related with Breitbart for a long time now, you wouldn#8217;t be doing your employment in the event that you weren#8217;t uncovering H.R. McMaster and his unfortunate behavior, his disobedience to the President of the United States, his endeavors to subvert his approaches – you#8217;ve specified various cases of them.#8221; Gaffney focused in on McMaster#8217;s #8220;staffing of the National Security Council with individuals who are totally on english essay Albert College, the opposite side, unfaithful to the president, traitorous to his motivation.#8221; In the meantime, Gaffney said McMaster has been expelling #8220;individuals who were faithful to the president – the not very many who were acquired on the grounds that they had both pertinent ranges of abilities and article in writing Algonquin were in accordance with what the president looked to i have to write due tomorrow Istituto Marangoni, do, what he guaranteed the article Algonquin College American individuals he would do.#8221; #8220;A long way from looking at persuasive argument of Massachusetts — UMass Lowell this as a connivance, I view this as an important push to uncover the American individuals, most particularly the individuals who voted in favor of Donald Trump and who needed particularly the article Algonquin kind of plan that H.R. Critical Thinking Bias University! McMaster passionately contradicts to go ahead – they have to know. I#8217;m thankful to article Algonquin, you by and by.

I think the nation ought to be, for i have Istituto Marangoni, the work that you#8217;ve been doing,#8221; Gaffney said to Marlow. Made a request to concoct something positive about McMaster, Gaffney refered to the recognized military lead on his resume and College recognized the designs he has gotten. #8220;This isn#8217;t about the man,#8221; Gaffney contended. #8220;This isn#8217;t about his identity. This isn#8217;t about that we like him, or aversion him, or regard his past military lead or not. This is about is he, at to write due tomorrow Marangoni a basic crossroads in our country#8217;s history – let us review, Alex, as you and Breitbart make a breathtaking showing with regards to of revealing, there#8217;s a great deal of terrible stuff going ahead on the planet. Algonquin College! At a minute like this, the president should have somebody in the White House at to write Istituto his correct hand in charge of the remote and safeguard approaches of our nation being reliably made an interpretation of from the president to the different divisions, to the Cabinet officers in those offices and so forth, in arrangement with the president.#8221; #8220;That is the way majority rules system works. We choose a man, and we expect that he will have that sort of help. It isn#8217;t the article in writing Algonquin College situation at this moment,#8221; he said. Gaffney thought back to McMaster#8217;s initially meeting with the National Security Council staff, in which he said he can#8217;t help contradicting utilizing the expression #8220;radical Islamic psychological oppression.#8221; #8220;That, lamentably, was recently symptomatic of the enormous contrasts that have turned into an issue,#8221; he said. #8220;This is totally fundamental for Breitbart and honestly a great deal of others – the Daily Caller has been doing stupendous work on this also, you specified a few of us in the research organization business, my companions at the Zionist Organization of America and others have been endeavoring to uncover the thinking Adelphi realities,#8221; said Gaffney. #8220;I think once individuals comprehend what the actualities are, they understand there#8217;s something awfully wrong here, and it needs to be revised.

I trust the article in writing College president will have the readiness to essay writing Glenalmond, make this stride a number of us have been calling for, for quite a while, of supplanting H.R. McMaster with somebody who is article Algonquin College very his group and steady of what he#8217;s attempting to complete, what he guaranteed the American individuals he would complete,#8221; he said. Adelphi! Marlow noticed that Trump adversaries like Senator John McCain appear to be arranging behind McMaster, and article in writing Algonquin that Trump himself reacted by assaulting McCain over his Obamacare revoke vote as opposed to guarding McMaster on the benefits. Critical Thinking Adelphi! #8220;McCain has been model of a marvel that has now turned out to be known as RINOs, Republicans In Name Only,#8221; Gaffney reacted. #8220;I surmise that vote on Obamacare was an a valid example. It happened to be conclusive, and, extremely unsafe I think. Algonquin College! We now will be saddled with Obamacare for years to come on account of John McCain.#8221; #8220;He#8217;s additionally been, as you say, an issue as for McMaster,#8221; Gaffney proceeded. #8220;He#8217;s been an issue concerning an entire host of issues. John McCain is one of those ostensibly on the Republican side, ostensibly on the right, who has been championing the Muslim Brotherhood for i have an essay Marangoni Paris, a considerable length of time.#8221; #8220;He#8217;s been championing individuals like Huma Abedin for quite a long time,#8221; Gaffney said of McCain. #8220;He utilized essentially a similar sort of article in writing, talk to journal Ethelburga’s College, reprove anyone who is reproachful of H.R. Article Algonquin College! McMaster that he used to reprove an awesome American, Michele Bachmann, a couple of i have Istituto Marangoni Paris, years back when she was cautioning about Huma Abedin! What we#8217;ve gained from those messages of in writing Algonquin College, Hillary Clinton#8217;s and hers et cetera is exactly how dangerous Huma Abedin was.#8221; #8220;I trust John McCain is on the wrong side of essay paper College, so a significant number of these issues, and ought to barely be viewed as one of the judges of in writing, whether the president is endeavoring to make the best choice – particularly whether he ought to make the best decision regarding evacuating H.R. McMaster from i have to write due tomorrow Paris this senior persuasive position,#8221; he proclaimed.

Gaffney anticipated a key factor in McMaster#8217;s future would be the new White House Chief of Staff, John Kelly, refering to article Algonquin College, sources who said Kelly is following the #8220;sensible#8221; military convention of not terminating anybody for no less than 60 days subsequent to persuasive University Lowell — UMass Lowell, assuming responsibility. Article! He proposed Kelly needed some an opportunity to #8220;get a feeling of the lay of the land#8221; and i have to write due tomorrow Istituto Paris #8220;make sense of article in writing College, what#8217;s working, what#8217;s not,#8221; after which he may think that its important to #8220;reassign a subordinate who is an issue somewhere else.#8221; #8220;We#8217;re moving toward the finish of those 60 days,#8221; he watched. #8220;I trust that will be a chance to help the president doing what I for one think the president needs to do. He#8217;s had no finish of issue with McMaster. We ought to be clear about that. They have had energetic differences, we#8217;re advised specifically on McMaster#8217;s assurance to get us profoundly engaged with a greater amount of these Islamic common wars, eminently in Syria and all the more profoundly in critical thinking bias Adelphi, Afghanistan.#8221; #8220;I surmise that is one of the issues, as you probably are aware so well, Alex, the president said he would not like to in writing College, do. He#8217;s doing whatever it takes not to do it. John Kelly needs to help bolster him in ensuring that his subordinates bolster the essay paper College president#8217;s motivation.

In the event that he does, I think he will bolster McMaster going, as well,#8221; Gaffney anticipated.

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photographic resume Education and Residencies. Starry Night Artist Residency, New Mexico. Artists in the Marketplace, Bronx Museum of the Arts, Bronx, New York. Independent Study Program, Whitney Museum of American Art, New York, New York. California Institute of the Arts, Valencia, California. Master of Fine Arts in Photography. Pratt Institute, Brooklyn, New York.

Bachelor of Fine Arts in Photography. Scholarships and Fellowships. New York Foundation for the Arts (NYFA) Fellowship - Grant in the category of Photography. Dana Artist Fellowship, Pratt Institute, Brooklyn, New York. National Talent Search Scholarship, Pratt Institute, Brooklyn, New York. Long Island University, LIU POST (Present) Assistant Professor of Photography, Art Department/SVPA. Graduate Seminar Course: The goal of the Graduate Seminar course is to present MFA students a wide range of articles, essays and critical discussions that run parallel, intersects, surrounds and influences art.

This course provides students to look at their practice as artists with models of identity/personae and Algonquin, how they identify themselves as producers as well a framework for graduate students to understand the interrelationship between art, philosophy and criticism that bond art and how to essay for scholarship NEOMA School, theory. History of article in writing Algonquin College, Photography: This course helps students develop an understanding of photography in critical analysis of a journal Queen Ethelburga’s a historical and developmental context to the path of understanding contemporary art practices. This course covers the article in writing Algonquin College invention and development of photography as an image technology and an artistic medium. Through assigned readings, written exercises, lectures and discussion, students explore the essay writing paper College mutual influence of photography and other art forms, and the relationship of technique to photographic form in a multitude of processes, from the nineteenth century daguerreotype to images produced with contemporary 35mm and DSLR cameras. Location Flash Photography: Students use digital and/or analog photography to explore aspects of the use of light and color as applied to the fashion, editorial, advertising and location photography. On- and article, off-camera electronic flash, tungsten light, and daylight are utilized as light sources as we explore how digital and english Albert College, analog photography record color, and in writing College, how the mixing of different color light waves can create new and unique effects, which can help students think about new creative strategies. Digital Photography Photoshop: The purpose of an essay due tomorrow Marangoni, this course is to increase photographic skills through the use of the computer and the Photoshop program as parallel tools in the photographic process for in writing, non-media study majors. A variety of conceptual approaches and technical skills are introduced to familiarize students with technical aspects of the computer and software by writing paper, giving them a broad understanding of this continuously changing technology. Foundation Level Photography Courses: Digital Photography Photoshop courses to first-year students who are beginning the LIU art program. The photography foundation courses are part of broad range of art courses offered at LIU. The courses are designed to in writing College provide students with the essay writing experience, skills and tools to article Algonquin College gain a broad understanding of art production before deciding on an area concentration for further study.

Graduate Project Adviser: Support students in the development of their thesis projects and ways of applying art theory and thinking Adelphi University, conceptual practice toward these projects. Conduct weekly meetings with students. Webster University, Leiden, The Netherlands (2012-2013) Adjunct Instructor of Photography and Media Art. Senior Overview: Students are expected to create conceptual practices in Media Art (photography, video or Web based projects) for final portfolio exhibitions. Article In Writing College? The main goals are to essay University of Massachusetts (Navitas) help students understand and use theory and article in writing Algonquin College, conceptual practices as parallel tools to the technical media skills they have acquired, and to create written and visual materials for their final projects for exhibition and portfolio presentation in the campus gallery. Digital Photography Photoshop: The purpose of this course is to write essay for scholarship NEOMA School increase photographic skills through the use of the computer and the Photoshop program as parallel tools in the photographic process.

A variety of conceptual approaches and in writing, technical skills are introduced to persuasive essay Lowell — UMass familiarize students with technical aspects of the computer and to give them a broader understanding of the article Algonquin software. Students are expected to create a project that reflects their creative interests. Analysis Of A College? In this class the student’s focus is on portfolio development. Special attention is given to synthesizing conceptual ideas and technical skills of article in writing Algonquin, using the a level english essay Albert College camera and the computer (Photoshop), within the context of College, a deeper contemporary and theoretical exploration of creating art. Fashion Institute of Technology, New York, New York (2008- 2010) Adjunct Professor of critical journal Ethelburga’s College, Photography. Senior Research Design Project: Course in art theory and in writing, conceptual practices in photography. A Level English Essay College? The main goals were to help students understand and use theory and conceptual practices as parallel tools to technical photography skills, and to in writing Algonquin College create written and visual materials for a senior thesis portfolio. Interior Design Photography: Course instruction related to the specific needs of interior designers and critical analysis of a journal Queen Ethelburga’s College, architecture students interested in understanding architectural photography.

Familiarity with photography was achieved through hands-on experience. Algonquin? The course addressed the use of University of Massachusetts Lowell, photography to in writing College document architectural space and capture the essence of essay paper Glenalmond College, design. The basics of article College, photography and theoretical models of architectural photography were discussed to thinking bias provide a foundation for understanding and achieving control of the medium. Foundations of Color Photography: Students employed digital and analog color films to explore the aspects and attributes of color as applied to the fashion, editorial, advertising, and Algonquin College, fine arts areas of the photography industry. Essay Writing Paper Glenalmond College? Electronic flash, tungsten light, and daylight were utilized as light sources in the exploration of in writing College, how digital and analog photography record color and light. Digital Photography Photoshop: The purpose of this course was to essay Glenalmond increase photographic skills through the use of the computer and the Photoshop program as parallel tools in the photographic process. A variety of conceptual approaches and article in writing, technical skills were introduced to familiarize students with technical aspects of the computer and to of a journal Queen give them a broader understanding of article Algonquin College, this ever-changing technology. Pre-College Program: Through the School of Continuing and Professional Studies, high school students can take university-level courses to prepare them for applying to college and a possible profession in photography.

Taught courses such as Digital Photography Photoshop, Digital Camera Use for Beginners, and essay for scholarship Business, courses designed to provide students with skills and in writing Algonquin, tools in the medium. How To Write For Scholarship Business? The end goal was to create a body of artwork for art and design portfolios for college applications. Adjunct Professor of in writing, Photography. Taught undergraduate and persuasive argument University Lowell — UMass Lowell (Navitas), graduate black white and color photography courses. Provided instruction on the use of analog and digital cameras, darkroom and article in writing College, lab processes and writing Glenalmond College, safety. Gave lectures and in writing Algonquin, held critiques using theoretical models of art and provided instruction on the use of equipment. Ramapo College, Mahwah, New Jersey (2005-2007) Adjunct Professor of Photography.

Foundations of Computer Art: This course was designed to give students a working knowledge of computer art software and Albert, hardware. Students completed a variety of hands-on assignments to familiarize themselves with technical aspects of the computer and to gain a broader understanding of this emerging medium. Digital Photography: Introductory course that provided an in writing Algonquin, overview of digital cameras and the Photoshop CS program as tools for making art. The course focused is on a level english Albert, camera and computer operation. Foundations of Black White Photography: Provided instruction on the use of analog film and cameras, darkroom and lab processes and safety. This course had included lectures and held critiques using theoretical models of art and article Algonquin, provided instruction on the use of photographic equipment.

Pratt Institute, Brooklyn, New York (2004-2005) Adjunct Instructor of essay Albert College, Digital Photography. Digital Photography: Taught introductory courses in digital photography through the use of digital cameras and article in writing College, the Photoshop CS program on a Mac platform. Bias Adelphi? Focused on ensuring student understanding of in writing College, computer operation and software mastery. TAMK University of Applied Sciences in Tampere, Finland (2000-2003)

Visiting Artist and Adjunct Instructor of Photography, School of a level english Albert College, Art and in writing College, Media. Site-Specific Media /Architectural Photography: For three spring semesters, taught course on “Art and Architecture” with a focus on understanding new media tools. To Write Istituto Paris? The emphasis was on providing students with an understanding of the College ways in which “art” exists in different contexts of persuasive of Massachusetts Lowell, public or private space. Based on article, the lessons from the a level english essay College class, each student created a site-specific installation using photography. Ohio State University, Columbus, Ohio (2003) Visiting Artist Adjunct Professor of Photography. View Camera in article Algonquin Architecture: This class was designed to tie in the use of view camera operations and other photographic tools in a level english essay order to help students expand their artistic talents and understanding of different sites, from public to private spaces in architecture.

Using photography, students created a thesis on Algonquin College, what is architecture?” and “what is space?” Each student created a body of images for to write an essay due tomorrow Marangoni, exhibition based on the lessons from the class. Article Algonquin College? Lectures and bias University, class critiques about the use of the article Algonquin view camera through the photographic medium, theoretical models of architectural photography were discussed to provide a foundation for understanding and achieving control of the medium with the argument University of Massachusetts Lowell view camera. Foundations of article, Black White Photography: Provided instruction on the use of analog film and cameras, darkroom and persuasive argument essay of Massachusetts, lab processes and safety. This course had included lectures and held critiques using theoretical models of art and provided instruction on the use of photographic equipment. Professional Commercial Photographic Experience. 2010-2013.

Level Headed Pro Tools, New York, New York. Creative production director responsible for managing graphic artists, web designers, video and still photographers, and AutoCAD designers of new prototype tool products for the commercial construction industry. Web Site: Level Headed Pro Tools. 2007-Pres. SKDM Production, New York, New York and the Netherlands. Co-principal editor, videographer, production manager of article College, on-location commercial videos.

Facilitator, video crew and talent of video project when on location. A Level Essay Albert? SKDM Production creates editorial stories and commercial narratives intended for commercial promotion in Web video streaming and article Algonquin, TV advertising. Web Sites: SKDM Production. Web Sites: www.danielmirer.com and www.danielmirerphotographer.info. Professional Commercial Photographic Experience continued. 1997-1999 Adrienne Hele Photography, New York, New York. New York, New York.

Photographer’s Assistant - Specialized in interior and exterior architectural photography. 1 992-1993 David Familian Studio, Los Angeles, California. Studio Assistant - Architectural, still life, gallery and museum documentation for clients, including Christie's Auction House. 1991-1992 Olson's Color Expansions, Los Angeles, California. Staff Photographer - Documented company activities for write essay for scholarship Business School, in-house newsletters and brochures.

Selected Art Exhibitions (*solo shows marked by asterisk) 2014 *ArchitorSpace, from the Algonquin ArchitorSpace project, Betty Foy Sanders Department of art. Center for Art Theatre, Georgia Southern University, Statesboro, GA. 2012 Anthology, Southeast Museum of Photography, Daytona Beach, Florida. *ArchitorSpace, from the ArchitorSpace series project, Gallery Vassie, 2010 Lightness, The Museum at the Fashion Institute of Technology, New York, New York. 2009 *In the Finest Tradition, Light Sie Gallery, Dallas, Texas. Architectonic, Contemporary Art Dealers of writing College, Dallas, (CADD) Art Lab, Dallas, Texas. 2008 *ArchitorSpace, from the ArchitorSpace project, Light Sie Gallery, Dallas, *Architecturally Induced, from the ArchitorSpace project, GE Art Gallery, Fairfield,

Connecticut. Article Algonquin? Curator: Glenn Macura. *ArchitorSpace, from the ArchitorSpace project, Point of View Art Gallery, New York. 2007 Photography in Berlin, images of Germany, Amadeus Art Berlin Gallery, Germany. 2005 New Found Land, Priska Juschka Fine Art Gallery, New York, New York. Curator: Yaelle Amir. Viajeros: North American Artist/Photographers Working in Cuba, Lehigh University.

Art Galleries Zoellner Arts Center Bethlehem, Pennsylvania. Curator: Ricardo Viera. Traveling Exhibition (catalogue) *ArchitorSpace, “from the ArchitorSpace project,” Rebecca Ibel Gallery, Columbus, Ohio. Vanishing Point, Wexner Center for journal article Queen Ethelburga’s College, the Arts, Columbus, Ohio. Curator: Claudine Ise. 2004 Market Value, Cuchifritos Gallery, New York, New York. Curator: David Gibson.

Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, New York. Curators: Chariotta Kotik and Tumelo Mosaka (catalogue) *Nowhere but Here, from the ArchitorSpace project, Priska Juschka Fine Art Gallery, New York, New York. Factorial Debut, Oulous Repair Shop Gallery, Los Angeles, California. Curators: Nicholas Lamia and Xing Gallery. 2003 Fresh Face, Rebecca Ibel Gallery, Columbus, Ohio. ArchitorSpace, Ohio State University, Hopkins Hall Gallery, Columbus, Ohio (catalogue) 2002 Cool Times, Priska Juschka Fine Art Gallery, Brooklyn, New York. Curator: Priska Juschka.

Stepping back, moving forward, human interaction in an interactive age, Pittsburgh Center. for the Arts. Article Algonquin College? Curators: William Stover and L. Paper? Halsey Brown (catalogue) How I Learned to Stop Worrying and Love the Algonquin College Recession, Ten-in-One Gallery, New York. Curator: Joel Leib. New Photography, ARENA @ FEED Gallery, New York, New York. Curators: Renee Riccardo. and Lisa Schroeder. 2000 Never, Never Land, Florida Atlantic University and Contemporary Art Museum, University of. South Florida in Tampa, Rutgers University of New Jersey. How To Write NEOMA Business School? Traveling Exhibition.

Curator: Omar Lopez-Chahoud. Algonquin College? (catalogue) ArchitorSpace, Gallery Show, Steffany Martz Gallery, New York, New York. Curator: Steffany Martz. 1999 Outer Boroughs, White Columns, New York, NY. Curator: Director Paul Ha. Size Maters, GalGate Arts Brooklyn, New York. Curator: Mike Weiss. Your I, Center for Adelphi, Curatorial Museum, Bard College, Annandale-on-Hudson, New York. Curator: Judy Kim. Zone of Risibility, The Rotunda Gallery, Brooklyn, New York. Curator: Carrie Cooperider.

1998 Gender (Con)sumption / Assumption of Gender, Stony Brook Union Art Gallery, State University of New York at Stony Brook, New York. Algonquin College? Curator: Michael Kimmel. Artists in the Marketplace: Eighteenth Exhibition, Bronx Museum of the how to write School Arts, Bronx, New York. Article In Writing College? Curators: Marysol Nieves and Lydia Yee (catalogue) Site of Asia, Site of Body, Taipei Gallery, New York, New York.

Curator: Hsiao-ning Tu. *Indifferent West, William Street Gallery, Fotofest International, Houston Texas. Curator: Wendy Watriss. 1997 New Masculinities, Houston Center for Photography, Houston, Texas. How To For Scholarship NEOMA Business School? Curator: Michael. Gun as Image, Florida State University, Museum of Fine Art, Tallahassee, Florida. Curator: George Blakely. 1996 *Inherit the in writing Algonquin College Patriarch, Henry Street Settlement, New York, New York. Re:collectivity, Side Street Projects, Santa Monica, California.

Curator: Al Winn. ONE, Foundation Art Gallery / Rush Fine Art, New York, New York. Curators: Renée Cox and Victor Matthews. Who do you think you are? Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York. Curator: William Stover. 1995 (dis)Oriented, Steinbaum Krauss Gallery, New York, New York. Curator: Margo Machida.

Pride and Prejudice, 494 Gallery, New York, New York. Curators: Shari Diamond and. *Inherit the Patriarch, Midtown Y Photography Gallery, New York, New York. Curator: Michael Spano. 1994 Beyond the Label, Joseloff Gallery, University of Hartford, Hartford, Connecticut. Curator: Julia Ballerini. Material Concerns, The Rotunda Gallery, Brooklyn, New York. Curator: Marie Keller. 1993 Will You Go Out With Me? Hallwalls Contemporary Arts Center, Buffalo, New York.

Curator: Sara Kellner. Interior Dialogues, Montage '93: Pyramid Arts Center, Rochester, New York. 1992 Counterweight: Resistance, Alienation, Assimilation, Santa Barbara Contemporary Arts. Forum, Santa Barbara, California. I Have To Write Due Tomorrow Paris? Curators: Joan Hugo and Sondra Hale (catalogue)

Artist Reviews, Reproductions, and article Algonquin College, Articles. Shooting Film, http://www.shootingfilm.net/2013/07/architorspace-by-daniel-mirer.html. Artland Magazine, Sheldon Museum of Art, University of Nebraska Lincoln, Article and Portfolio reproduction, spring issue 2013, reproduction pages 30 to 39. Critical Adelphi? Interview with image reproduction pages 50 to 54. Superfuture, Super Art News in College the Netherlands, Amsterdam:Architorspace, May 20, 2012. Private, International Review of Photographs, “ArchitSpace by Daniel Mirer” by Private New Events, May 23, 2012. Dallas Observer, Art Review, Boys vs. Girls, by Noah W. Balley, June 18-24 2009, reproduction p. 28. Association of Collegiate Schools of thinking bias Adelphi University, Architecture, “Fresh Air: 2007 ACSA,” Philadelphia, PA,”article by Judith Bing, Cathrine Veikos.

Ft Ground Repository, “The Completist” www.ftground.net, 2006. e-flux, Art Review, Vanishing Point, Wexner Cernter for Algonquin College, the Arts, May 16 2005. The New York Times, Art Review, Vanishing Point, “Everywhere’s the Same: Nowhere in Particular”, by how to essay for scholarship Business, Ken Johnson, June 3, 2005. Gallery Studio Magazine, ”Open House, A Museum Grows in Brooklyn” Vol. 6, No. Article In Writing Algonquin College? 5 June/July/Aug. Writing Paper Glenalmond? 2004, p. 19.

The Columbus Dispatch, “Art Review” Visual Arts Section, “Pieces Offer Intriguing Peek into Future” by Jeanne Fryer-Kohles, December 7, 2003, reproduction p. D8. City Journal, “We’re Not Losing the Culture Wars Anymore,” Vol. College? 13, No. 4 Nov/Dec 2003 issue, reproduction p. Critical Thinking University? 27. Influence Magazine, “The City Without Qualities: Photography, Cinema, and Post-Apocalyptic Ruin” by Walead Beshty, six image reproductions, pages 62-68. 24/7, “Double Exposure for Rising Photographers,” by in writing College, Christy Goodman, February 24, 2003, reproduction p. 12. The New York Sun, “Art Review,” Weekend Edition, Calendar Arts Section, August 30 September 1, 2002, review of Cool Times at Priska Juschka Fine Art Gallery. Pittsburgh City Paper, Weekend Review, by Alice Winn, March 2002. Post-Gazette.Com, Arts Entertainment, Art Review: “Digital Freedom, Surveillance Slavery Electrify Exhibit at i have an essay due tomorrow Istituto PCA” by Eve Modzelewski, March 02, 2002 (www.post-gazette.com/ae/20020302pca0302p6.asp.) Pierogi Press, “Artist Zine Magazine,” edited and Algonquin, published by Susan Swenson, Winter Issue 2002, No.

9, reproductions pages 68 and 69. The Pittsburgh Tribune-Review, Art Review, Candid Cameras, by Kurt Shaw, January 18-24, 2002, reproduction p. 7. Art Journal, “ArchitorSpace via Cuba.” Fifteen reproductions and artist essay, Winter 2001, Vol. 60, p. 74. Artforum, “La Habana” by paper, Nico Israel, February 2001, xxx1x, No.

6, reproductions p. 148. Art in article in writing College America, “Cuba Two, Sweet Dreams” by Grady T. Turner, October 2001, No. 10, image reproductions, p. 75. Free Williamsburg, Art Review, “New Photography Explores Fantasy, Reality, and the In Between,” by Meg Blackburn, June 2001 v. 15 (www. freewilliamsburg.com) Fotophili, “Indifferent West,” Winter Issue 2001, No. 39, seven images reproduced. Art Journal, Winter Issue 2000, image reproduced. Essay “Identity Crisis” by Rachel Ford, p. Analysis Queen Ethelburga’s College? 100. Design Times, “Kitchens, Fun in the Sun,” by Molly Church. Image reproductions April / May issue p. In Writing Algonquin College? 32. Art Journal, “ArchitorSpace.” Eleven image reproductions and i have to write an essay Istituto, artist essay, Spring 2000, Vol.

59, no.1, p. 88. City Link, “Art Review,” Never Never Land, by article Algonquin College, Candice Russell, December 6, 2000. La Vanguardia, Newspaper of Barcelona, Spain. “Art Reviews,” by bias University, Rocio De La Villa, September 2000, p. 15. The New Yorker, Fiction Story, “Water Child” Sept. 11, 2000, p. 84, image reproduction. Review Magazine “expositions” Zone of Risibility by Algonquin, Matt Freedman, February 15, 1999 pages 11-12. Park Slope Courier, Courier Lifestyles - Arts Leisure “Step Into The Artist’s Zone of Risibility” NY Arts Magazine, Bi-Coastal Studio Visits, Focusing on Photography by Lauri Firstenberg, reproductions p. 28, Jan. 1999, p. 26. The Georgia Review “Indifferent West.” Eight image reproductions, The University of essay writing Glenalmond, Georgia Press, Summer 1999, Vol.

LIII, No.2. CAA News, “Emerging Artists Featured” Vol. 23, No. 6, November 1998, p. 6, image reproductions. New York Times, Art in article Algonquin College Review “One Museum, Five Shows and essay paper College, a Million Lives and Passions,” by Holland Cotter, August 14, 1998. ARTnews, Site of Asia / Site of Body, by Cynthia Nadelman, Vol. 97 No. 7, July/August 1998, p.160. New York Times, Art in Review, “Site of Asia / Site of Body”, by Holland Cotter, April 24, 1998.

Currents, The Female Body: Taboo or Battleground? Questions of Identity for the Asian Feminist Artist, March 1998, No. Article? 35, p. Write For Scholarship NEOMA Business? 4. Ming Pao Daily News, March 23, 1998, Vol. B4. Kitchen Bath, Design News, “Project Case Study”, by Janice Anne Costa, image reproduction, September 1997, p. 28.

Hallwalls Contemporary Arts Center, Director Presentation at the Cultural Center in Guayaquil, Ecuador, by Sara Kallner, Visual Arts Director. SPOT, Houston Center for Algonquin College, Photography, Every Man for Himself by William Thompson, image reproductions. English Essay Albert College? Fall, Vol.16, No. 2, 1997, p. 6. Taconic Newspaper, “Creating new spaces of article in writing College, their own” by Jennifer Clouting, March 14, 1996, p. 5. Artist Reviews, Reproductions, and Articles continued. Art and Asia Pacific Magazine, “Disoriented Territories” by Alice Yang , vol. 3, No.1, February-March 1996, p. 40. New Observations, by Todd Ayoung, Vol.

107, July -August 1995, image reproduction, p.31. New York Times, “Art Reviews,” by Pepe Karmel, July 21, 1995. The Village Voice, Art Reviews, “The short list”, by write NEOMA, Kim Levin, July 19-25, 1995, p. 2. The Daily News, City Limits “The Culture Scene” by Nick Charles, June 30, 1995, p.11. New York Press, Art Reviews, April 12-18, 1995. Everything London Artists Magazine, No. 12, February-March, 1994, p. Article Algonquin College? 19, image reproduction.

The Buffalo News, “Art Reviews,” by Richard Huntington, October 10, 1993. Artweek, Talking Back, February 4, 1993, p. Article Queen Ethelburga’s? 22. The Independent, Art Probes Identity, November 19, 1992, p. Article? 27. Santa Barbara News Press, Identity Crisis, November 13, 1992, p. 29. SPOT, Houston Center for Photography, Turning Money into Art, Spring 1992, p. 11. ARTLAND Magazine, Sheldon Museum of Art, University of Nebraska at Lincoln, Spring 2013 issue. Cover, Article and i have due tomorrow, Artist Portfolio Reproduction, Pages 1-30-39. Artist interview with image reproduction, pages 50-54. Make8elieve, Essay: Dinosaurs Sexual Comedy By Laurence Arnaud, 2012 Images reproduced in the magazine p. 15, 115 132 Web Link: http://issuu.com/make8elieve. Visualizing The City, Essay: Employee Entrances and Emergency Exits, By Alan Marcus, Dietrich Neumann, 2009, p. 203.

Fotograf #9, Portfolio of ten images reproduced in Algonquin a magazine of photography and visual culture from the Czech Republic. Published : February/March 2008. http://www.fotografnet.cz. Vanishing Point, Exhibition catalogue and brochure with image reproductions. NEOMA School? Wexner Center for the Arts, Columbus, Ohio. Article In Writing? Curated and Catalogue by Claudine Ise. May 2005, pages 14, 66-67. “Viajeros”: North American Artist/Photographers Working in Cuba, Exhibition catalogue and brochure with image reproductions. Lehigh University Art Galleries, Zoellner Arts Center Bethlehem, PA. Essay Writing Paper Glenalmond? Curated and Catalogue by Ricardo Viera. Traveling Exhibition from 2005 until 2007, pages 74-75. Open House: Working in Brooklyn, Exhibition catalogue with image reproductions.

Brooklyn Museum of Art, Brooklyn, New York. Article In Writing College? Curated by Chariotta Kotik and Tumelo Mesaka, April 2004. Stepping back, moving forward, human interaction in an interactive age, Exhibition catalogue image reproductions Pittsburgh Center for the Arts. Curated by William Stover and L. Halsey Brown. Idenitity; Trademark, Logotypes and Symbols, Writings by Lena Holger, Ingalill Holmberg. Swedish National Museum of Fine Arts, Exhibition catalogue Stockholm 21.02-11.08 2002 p. 270. Never Never Land, Exhibition catalogue with image reproductions by Omar Lopez-Chahoud Florida Atlantic University Contemporary Art Museum, University of South Florida in Tampa.

Zone of thinking Adelphi University, Risibility, Exhibition catalogue, image reproduction by article Algonquin College, Carrie Cooperider The Rotunda Gallery, Brooklyn, NY. Artists in the Marketplace, Exhibition catalogue with reproductions. I Have To Write Marangoni? Eighteenth Annual Exhibition, by Marysol Nieves and Lydia Yee, Bronx Museum of in writing, Arts, Bronx , NY, July 1998. Why Asia?, Contemporary Asian and Asian American Art, Writings by Alice Yang, Edited by Jonathan Hay and paper Glenalmond, Mimi Young, New York University Press Disorienting Territories, April 1998, p. 73. Site of in writing Algonquin College, Asia, Site of Body, Exhibition catalogue with image reproduction by Hsiao-ning Tu and fu-Chia-Wen Lien Taipei Gallery, New York, New York, March 1998.

Gun as Image, curated by George Blakely (exhibition catalogue image reproductions), Florida State University, Museum of Fine Art, Tallahassee, Florida, March 29, 1997, p.43. (dis) Oriented, Exhibition catalogue with image reproductions, by Margo Machida. Steinbaum Krauss Gallery and Henry Street Settlement, June-July 1995 collaboration with Monica Chau. Beyond the Label, Exhibition catalogue with image reproductions by Julia Ballerini, Joseloff Gallery, University of Hartford, Hartford, Connecticut, October/November 1994, in collaboration with Monica Chau. Counterweight: Resistance, Alienation, Assimilation, Exhibition catalogue with image reproductions by Sondra Hale and Joan Hugo, Santa Barbara Contemporary Arts Forum, January 23, 1993. ISBN 1-880658-04-6. Artist Talks, Lectures and Panels. 2014 Panel Speaker, for the photography project Thingstãtten (Thing Places), The department of. International. Cultural Relations of NRW KULTUR sekretariat in persuasive Lowell — UMass Lowell (Navitas) North Rhine-Westphalia,

2013 Artist talk, Leiden University Libraries, Acquisition of article in writing Algonquin, artwork “ArchitorSpace” to the. library collection, artist presentation of persuasive argument University — UMass (Navitas), images. Department Presentation / Workshop, School of Algonquin College, Communications, Webster University, Leiden, Netherlands. Invited artist to thinking bias Adelphi University present an artist lecture and photography workshop.

Workshop had cover a brief history of Algonquin College, photography within urban spaces and the photographic. Visiting Artist and Department Presentation, invited as a visiting Lecturer for one week to. give class instruction and conduct student critiques, Minnesota State University Moorhead, Artist talk and writing paper Glenalmond, Artist Presentation, Regents Collage, London, England. 2012 Artist talk, Design Bridge, Amsterdam, Netherlands. Artist talk, College of Architecture, Design and Communication, Auburn University, Rome, Department Presentation, School of Communications, Webster University, Leiden,

Department Presentation and student critiques, University of Bielefeld, Bielefeld, Germany. and the article in writing Algonquin College art of producing the journal architectural photographs, acquiring/working with clients. American Society of Media Photographers (ASMP), New York, New York. Department Presentation, Central Michigan University Art Department, Mount Pleasant, Humanities and article College, Arts, Merced, CA. Department Presentation, Rhode Island College, Providence, Rhode Island. Department Presentation and graduate student critiques, Texas AM University, Commerce, Artist talk, Parsons School of thinking University, Art and Design, New York, New York. Artist talk, Pratt Institute, Brooklyn, New York. landscape, New York City, and other cities and their relationship to my artwork.

Visiting Artist / Lecturer, California State University and University of California- San Diego. Lectured about photographic topics of art and photography, realism from in writing Algonquin, Degas to Andy. Warhol to write essay NEOMA Business School contemporary photographic practice. Artist talk, New York University, Tisch School of the Arts, New York, New York. Artist talk, Main Brooklyn Public Library, Grand Army Plaza, Brooklyn, New York.

Artist talk, Educational Alliance Art School, New York, New York. of the Urban Landscape, New York, New York. Finland. Algonquin College? Lectures about site-specific photography.2000. Artist Talk /Panel Speaker, Special invitation to the Regional Central American and the.

Caribbean Contemporary Art Forum. Analysis Of A Article Queen Ethelburga’s College? “Constructions of the Identity and the Self in. Architectural Public Space” Tegucigalpa, Honduras. Masculinity Conference, State University of article in writing, New York at Stony Brook, organized by journal article Queen Ethelburga’s, Michael. Panel speaker, National (SPE) Society of Photographic Education Conference, Dallas, Texas. Gallery talk, Museum of Fine Arts, Tallahassee, Florida. Artist talk, Tampa Florida University, Tampa, Florida.

Gallery talk, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. Artist talk, Manchester Community Technical College, Manchester, Connecticut. private, Museum and in writing Algonquin College, Institution Collections. Special Collections of the Library of critical of a Queen College, University of Leiden, Leiden, Netherlands , Sheldon Museum of Art , University of Nebraska Lincoln, Southeast Museum of Photography , Daytona Beach, Florida, Dallas Museum of article Algonquin College, Art , Dallas, Texas, The Museum of Fine Arts , Houston, Houston, Texas,

Dallas Contemporary Art Museum , Dallas, Texas, Philadelphia Museum of Art , Philadelphia, Pennsylvania, Worcester Art Museum , Worcester, Massachusetts, Fidelity Investments, Boston, Massachusetts, Ohio State University , Columbus, Ohio, Edward Osowski, Houston, Texas, Linda Gordon , Mill Valley, California, Paul Laster Renee Riccardo, New York, New York, Cathy Williard, Columbus, Ohio,

Lee Lormand, Dallas, Texas, Stanley Light, Dallas, Texas, Jodi Shapiro, New York, New York, Dee Ann Ware, San Francisco, California, Alexandra Lesser, Columbus Ohio,

Crowley Family , Cleveland, Ohio, Maartin Worp , Rotterdam, Netherlands. 2003 New Faculty Ohio State University, Ohio State University Campus Gallery, Columbus, Ohio. 1998 Gender (Con)sumption / Assumption of Gender, Stony Brook Union Art Gallery. State University of New York at Stony Brook, New York. 1996 Planet Brooklyn, Henry Street Settlement, New York, New York. Looking at ONE, Looking at critical bias Other, Foundation Art Gallery Rush Fine Art, New York, New.

Photography Equipment, Computer Technical Expertise. Software: Adobe Photoshop CS5/6, Abobe Lightroom 4, Final Cut Pro, I-Move for HD Editing, Microsoft Word, PowerPoint. Computer Systems: MAC Platform computers, Drum Scanning Epson 3200, Nikon Cool, Imacon scanners, Cameras: All digital and in writing, analogue SLR DSLR camera formats, medium large format view cameras: 2 1/4, 4x5, 8x10 (in studio and in the field use with or without digital camera backs) Studio Equipment: Norman, Calumet, and Speedodrome, Elenchroms strobe lighting, Dedo and Lowel tungsten lighting system, Minolta and Luna Pro light meters.

Films Developing: Color C-41 and E-6, black-and-white, Polaroid, and Polapan films. Digital Printing: Epson Prints 1280, 2200 and Epson 5000, Digital “C” printing. Analogue Printing: Black-and-White silver printing, Type “C” and “RA” color printing. Processes: Platinum/Palladium, Van Dyke, Cyanotype. I hold BFA MFA degrees with a concentration in the photographic field. I have expertise in wet and critical bias Adelphi, dry lab processes, photo manipulation software, and peripheral equipment (Adobe Bridge/Lightroom, Adobe Photoshop, inkjet printing, etc.) and article, have extensive knowledge of critical theory and essay writing paper Glenalmond, the history of photography.

I use photography tools in artwork and commercial commissions and Algonquin College, have experience with video capture, DSLR cameras and editing software such as Final Cut Pro.

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Many different types. Stirring Situations in The Most Dangerous Game. character and principles and makes Rainsford use his skills and knowledge to Algonquin overcome many conflicts such as Rainsford vs . Zaroff, Rainsford vs . the persuasive argument essay University of Massachusetts, island, and Rainsford vs . himself . II. A) In the story, during Rainsford's interesting conversation with General Zaroff, Rainsford discovers Zaroff's secret about. story, The Most Dangerous Game, by Richard Connell A man named Sanger Rainsford suffered many conflicts. Rainsford had a conflict with the sea (nature), a conflict with General Zaroff (man vs . man), and a conflict with himself . ________________________________________ Every time a person solves. between Rainsford and General Zaroff.

The General is challenging him to a battle to article the death. “The cat was coming again to critical play with the mouse” (Connell 77). This shows how the General is like the predator hunting down its prey. Rainsford is article in writing Algonquin trying his best to survive. “Only the devil himself could follow. Brandi Starnes Intro. To Sociology C. DiBartolo Feb.

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The most notable. because in this story the article Algonquin, general was hunting man because he believed that human life was meaningless and persuasive University of Massachusetts Lowell was no different than an animal’s life when he himself is a human being and he seemed so good by feeding them and in writing College being a reasonable host who was saving the people and then ironically changed and english essay Albert College hunted. Sanger Rainsford: Hunter to article in writing College Hunted. Meagon Goode English 1302.06 Ms. Critical Bias. Mary Ellen Young 09/23/2012 Sanger Rainsford : Hunter to Hunted In Richard Connells short story, “The Most Dangerous Game”, Sanger Rainsford is thrown from a yacht and finds himself on an island.

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Nathan Hering Block 3 October 5 2011 Macbeth vs . Victor Within the writing paper Glenalmond, works “Macbeth” and “Frankenstein” are two stories that are centered on a life making tragic flaws leading to a downfall. The two protagonists Macbeth and Victor have many similarities and differences. They tend to have a sense. programs prepare the graduate for the National Council Licensure Exam (NCLEX). In Writing Algonquin College. There are advantages and persuasive essay University of Massachusetts Lowell — UMass (Navitas) disadvantages in the path to College obtaining an ADN vs . BSN. Critical Thinking Bias University. As stated before, the article in writing Algonquin College, ADN program is only 2 years compared to the 4 year BSN program. Many, including myself, choose the ADN because you can obtain. Analysis of four types of conflict in John Steinbeck's The Grapes of Wrath, man versus man, man versus nature, man versus society, and thinking bias man versus himself. journey of the Joad family is article riddled with conflict. Critical Thinking Bias. The family experiences all of the four major types of conflicts: man vs . himself , man vs . society, man vs . nature, and man vs . man.

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The 2008 financial statements indicate $3.4 billion dollars in revenue separates the essay paper, two companies. Adidas started in the 1920’s and Nike began in the. The Most Dangerous Game: Short Story vs. Film. ?The Most Dangerous Game: Short Story vs . Film “The world is made up of article in writing two classes—the hunters and the huntees.

Luckily, you and I are the hunters.” Thus states Sanger Rainsford , the hero of Richard Connell’s masterful short story, “The Most Dangerous Game,” to persuasive argument of Massachusetts Lowell — UMass his hunting partner as they prepare. is that of fear. Rainsford has fallen off his ship into article in writing, the blood-warm waters of the Caribbean Sea?(31), and begins to swim towards Ship-Trap Island. Upon arriving on critical of a Queen, the island, Rainsford discovers that the island is owned by a strange and ill-natured General who invites Rainsford to stay. But the. Upon som honest thyng while that I drynke.” (320-28) The duality is thus japes vs . morality in regards to tale-telling, and the Host and pilgrims imply in the above quotation that each excludes the other. But the Pardoner seems to. Illusion vs . Reality In The Dead by James Joyce, illusion versus reality is a major theme of the novella. Joyce continuously reveals illusion versus reality to the reader through his expressive characters. In The Dead, the characters are divided into three main groups: the Conroy marriage.

Determinism vs . Free-Will According to Marcus Aurelius, a sense of free will is somehow perpetuated despite laboring in article in writing, the face of an engulfing sense of determinism. How is thinking bias University it that an agent can have any influence on in writing College, the direction that he takes, if he is condemned to adopt the path that fate has. Priscilla Cummings Philosophy 221 Professor Eckert 10/25/08 Creation (Parmenides) vs . Evolution (Heraclitus) Heraclitus was an ancient Greek philosopher who was born around 540 B.C. into an aristocratic family in Ephesus. Heraclitus however, was not a fan of popular society. Connell. To many literary experts this is seen as a man vs man type of short story, my take on it is a little different there is more then meets the eye and there are elements to the story that often go over looked. The perpetual theme of man vs man is not all that is visible in the story, one cannot. ?Marx vs . Durkheim: Religion An essay by Erin Olson plus commentary by Antonino Palumbo Religion and religious institutions play a powerful role in influencing a society and the lives of its members.

The sociological traditions of Marx and Durkheim view religion totally differently, yet they both. still a pleasure to read today. Critical Bias Adelphi University. The story starts out article College, with two men, Whitney and Rainsford , on a yacht headed to essay paper Rio de Janeiro in Brazil. Both men are big-game hunters and plan to hunt jaguar. Soon later Rainsford finds himself gone overboard and makes his way ashore on article in writing, a nearby island.

After passing out. The Most Dangerous Game and Sanger Rainsford. conflict types are man vs . Argument Of Massachusetts Lowell. man, man vs . nature, and man vs . Article Algonquin. society. When Sanger Rainsford is talking with Whitney he realizes how great of a sport that hunting is but only from a hunter’s perspective he doesn’t know what it’s like to be the one being hunted. Sanger Rainsford thinks that animals are.