Directing
Now, Irving Rapper
2026
Terms and Conditions Apply: The Cinema of Robert Ellis Miller
Arid Cut
2019
Even Just
William Wyler: Forty Takes Willy
2025
The Wind Blows Where It Wishes
2011
Ben Fries the Slaves
2007
Ezer Kenegdo
2017
Cruel, Usual, Necessary: The Passion of Silvio Narizzano
2024
It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point
2023
Love Left the Masquerade: Peter Medak's Cinema of Pretenders
Clear Lines of Sight: Sidney J. Furie at Paramount
Survival Scars: Franklin J. Schaffner as Auteur
La Vie en Gris: The Anglophone Louis Malle in Seven Pictures
2022
Elective Vicissitudes: The Radical Exiles of Jules Dassin
Jack of Three Trades: In Focus on Nicholson the Director
Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema
Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision
David Cronenberg Presents Wireless Internet
2006
Never the Same Step Twice: The Later Films of Stanley Donen
Ammo for Shooting Clouds: John G. Avildsen Before Rocky
The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger
A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget
The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972
Xenolith Atlas
Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes
The Fourth Movement
Dead Neon: The Many Faces of Lenny Bruce on Film
